Bring the Noise Baltimore MD

In previous Dance Mix columns, we’ve covered white noise as a tool for creating whooshes, percussion, and other effects to spice up your track. But there are oodles ofother uses for noise. What’s more, with a few automation tricks, white noise can be used to take a tiny sound and make it massive –perfect for builds, breakdowns, and peaks.

Peabody Conservatory of Music
(800) 368-2521
Baltimore MD
Baltimore, MD

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The Community College of Baltimore County
(410) 455-4109
Baltimore MD
Baltimore, MD

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Music By Julee
Baltimore, MD
 
College of Notre Dame of Maryland (College of Notre Dame - Music Department)
(410) 435-0100
4701 North Charles Street
Baltimore, MD
 
Essex Community College (Essex Community College - Music Department)
(410) 780-6313
7201 Rossville Blvd.
Baltimore, MD
 
Towson University
(410) 704-2831
Towson MD
Towson, MD

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Goucher College
(410) 337-6148
Baltimore MD
Baltimore, MD

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Heifetz International Music Institute
(410) 480-8007
Ellicott City MD
Ellicott City, MD

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Towson University (Department of Music - Towson University)
(410) 704-2839
8000 York Road
Towson, MD
 
Anne Arundel Community College (Anne Arundel Community College - Music)
(410) 777-2222
101 College Parkway
Arnold, MD
 
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Bring the Noise

In previous Dance Mix columns, we’ve covered white noise as a tool for creating whooshes, percussion, and other effects to spice up your track. But there are oodles of other uses for noise. Since white noise contains all frequencies at equal amplitude,it’s well suited to brightening leads and looping riffs. What’s more, with a few automation tricks, white noise can be used to take a tiny sound and make it massive –perfect for builds, breakdowns, and peaks.

To illustrate this approach, we started with a basic house drum loop from Sample Magic’s new Funky House Grooves 2 library (available at bigfishaudio.com ) and added a simple synth pattern using Reason’s Sub tractor synth. From there, we’ll apply automation to transform the sound in ways that may surprise you.

Click the images below to see them bigger.

Step 1 ( click for audio ) . Start with Subtractor’s super-basic In it Patch and lower the cutoff frequency lightly. Then create a simple, looping, one-bar riff.

1109 Dance Mix Step 1 Image

Step 2 ( click for audio ) . Now, using automation, add a classic, eight-bar filter cutoff build to the riff by increasing the cutoff frequency as the riff plays. You can create better-sounding automation by using multiple points in your automation envelope, rather than by simply applying a linear build.

1109 Dance Mix Step 2 Image

Step 3 ( click for audio ) . Here’s where the noise comes into play. Keeping the existing filter swell, add another lane of automation for the noise volume and change the noise level over the same eight-bar duration. Done correctly, this will add energy and intensity to the riff.

1109 Dance Mix Step 3 Image

Step 4 ( click for audio ) . Finally, we’ll add one more automation lane for the amp envelope release. This will make the combination of filter build and noise swell even more dramatic as it goes into the peak — or the next section — of your track.

1109 Dance Mix Step 4 Image

Finally, click here for an extended audio example of the final mix, dressed up with a bit of re-verb and delay.

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