Editing Ambiences on the Mac Bangor ME
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, DJ Equipment
Van Buren, ME
Acoustic Piano, Digital Piano, Sound Reinforcement, Guitars & Fretted Instruments
Band & Orchestral
Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Guitars & Fretted Instruments
Guitars & Fretted Instruments, Print Music
Editing Ambiences on the Mac
Killer synth riffs and slammin’ drums are key components of dance tracks, but if you want fans to wonder, “How was that sound created?” you can get a lot of mileage from adding ambiences. Not as in “Brian Eno” washy drones, but Foley-type ambiences like in professional sound effects libraries. By taking natural sounds like forests and jungles, or industrial sounds like construction sites, you can add a layer of organic content that will give your tracks a truly unique sound.
1. On a Mac, there’s a smattering of real-world ambiences in GarageBand’s sound effects library. Click on the Podcast icon in the loop browser, select a sound from the ambience category, add it to a GB track, and render the result. Another great resource for free ambiences is hollywoodedge.com . From the main page, click on Free Sound Effects in the menu bar (free registration required).
2. Drag this sound effect into a new track in your latest electronic opus, as I’ve done here in Ableton Live. In our online audio, we put the loop over a simple four-on-the-floor kick, so you can hear exactly what’s going on.
3. With your ambience clip and drums in place, begin auditioning one-measure bits of the clip. Each single-bar segment has its own distinct rhythmic character. Spend some time finding one that really revs your engine, not just audio filler.
4.Once you’ve got a loop that grooves, get creative with tempo-synced effects. Filters and auto-panners are good, as ar...