Editing Ambiences on the Mac Rexburg ID

Killer synth riffs and slammin' drums are key components of dance tracks, but if you want fans to wonder, 'How was that sound created?' you can get a lot of mileage from adding ambiences. Not as in “Brian Eno” washy drones, but Foley-type ambiences like in professional sound effects libraries. By taking natural sounds like forests and jungles, or industrial sounds like construction sites, you can add a layer of organic content that will give your tracks a truly unique sound.

Chesbro Music Co
(208) 359-1900
257 N 2Nd E
Rexburg, ID
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Music America
(208) 356-5033
Po Box 471
Sugar City, ID
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
Sunburst Guitar Gallery
(208) 726-5850
Po Box 1680
Ketchum, ID
Types of Instruments Sold
Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Keith Jorgensens Music
(208) 733-1298
2099 Concordia Way
Twin Falls, ID
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Guitars & Fretted Instruments, Print Music

Data Provided by:
Paradox Music
(208) 667-8663
1302 E Sherman Ave
Coeur D Alene, ID
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, DJ Equipment

Data Provided by:
Mikes Music
(208) 356-3335
54 E Main St
Rexburg, ID

Data Provided by:
Mickelsen Piano Co
(208) 529-2047
395 May St
Idaho Falls, ID
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs

Data Provided by:
Keeney Bros
(208) 882-1751
123 E 3Rd St
Moscow, ID
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Lombards Music Store
(208) 746-7127
1401 21St St
Lewiston, ID
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Print Music

Data Provided by:
Grand Music Inc
(208) 406-3057
4926 Easty St
Pocatello, ID
Types of Instruments Sold
Acoustic Piano, Digital Piano, Organs, Band & Orchestral, Guitars & Fretted Instruments, Print Music

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Editing Ambiences on the Mac

Killer synth riffs and slammin’ drums are key components of dance tracks, but if you want fans to wonder, “How was that sound created?” you can get a lot of mileage from adding ambiences. Not as in “Brian Eno” washy drones, but Foley-type ambiences like in professional sound effects libraries. By taking natural sounds like forests and jungles, or industrial sounds like construction sites, you can add a layer of organic content that will give your tracks a truly unique sound.

GarageBand1. On a Mac, there’s a smattering of real-world ambiences in GarageBand’s sound effects library. Click on the Podcast icon in the loop browser, select a sound from the ambience category, add it to a GB track, and render the result. Another great resource for free ambiences is hollywoodedge.com . From the main page, click on Free Sound Effects in the menu bar (free registration required).

  

KickLoop2. Drag this sound effect into a new track in your latest electronic opus, as I’ve done here in Ableton Live. In our online audio, we put the loop over a simple four-on-the-floor kick, so you can hear exactly what’s going on.

 

KickLooponebar3. With your ambience clip and drums in place, begin auditioning one-measure bits of the clip. Each single-bar segment has its own distinct rhythmic character. Spend some time finding one that really revs your engine, not just audio filler.

 

KickLooponebarfx4.Once you’ve got a loop that grooves, get creative with tempo-synced effects. Filters and auto-panners are good, as ar...

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