Electronic Keyboard Stores Greenwich CT

Local resource for electronic keyboard stores in Greenwich. Includes detailed information on local businesses that provide access to electronic keyboard stores, electronic keyboards, digital pianos, synthesizers, keyboard amps, pro electric keyboards, portable electric keyboards, sound modules and drum machines, as well as advice on all the latest electronic keyboards, equipment and accessories.

Greenwich Music Center
(203) 869-3615
1200 E Putnam Ave
Riverside, CT
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Daddy'S Junky Music
(203) 975-8020
61 Broad St
Stamford, CT
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Ashley Devon Music
(914) 835-5048
94 Webster Ave
Harrison, NY
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Print Music

Data Provided by:
Norwalk Music Inc
(203) 847-3925
120 New Canaan Ave
Norwalk, CT
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Bramson Music Inc
(914) 666-3308
280 N Bedford Rd
Mount Kisco, NY
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Bramson's Music repairs ALL types of musical instruments. Brass, Woodwinds, Guitars, Drums, etc.
Hours
Weekdays 10:00am to 6:00pm
Saturdays 9:00am to 5:00pm

Data Provided by:
Connecticut Music Inc
(203) 348-1857
592 Newfield Ave
Stamford, CT
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
James Daniel Music Studios
(203) 969-2400
125 Bedford St
Stamford, CT
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Guitars & Fretted Instruments, Print Music

Data Provided by:
Computer Klavier Works, Inc.
(914) 674-1203
923 Saw Mill River Rd
Ardsley, NY
Types of Instruments Sold
Electronic Keyboard

Data Provided by:
Music Store Inc
(914) 693-3200
39 Cedar St
Dobbs Ferry, NY
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Merit Music Store & Lesson
(203) 847-6100
143 Main St
Norwalk, CT
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
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Arturia Origin Keyboard

DSC_0216_nrThe Arturia Origin is a grand technical achievement, a true virtual modular synth cast in hardware. Its sound quality and deep programmability bowled us over when we reviewed the desktop module in June 2009. With its flip-up control panel, the Origin Keyboard aims to be a more integrated and inspiring instrument.

Overview

This review focuses on new features of the OS (version 1.3.23 as of this writing) and on things only the keyboard version can do. If you’re new to the Origin, read our original review first at keyboardmag.com/article/96559 .

Drawing on the modeling developed in Arturia’s soft synths, the Origin emulates the distinct characters of the oscillators, filters, and other components of four famous analog synths: the ARP 2600, Minimoog, Roland Jupiter-8, and Yamaha CS-80. There are also generic oscillators (and other modules) that sound great but use less DSP, and wavetable oscillators to provide digital waveforms.

You can freely arrange and connect these elements in an onscreen rack, creating frankensynths that would otherwise require a lot of time, money, and soldering. You can tweak the results (and the factory sounds) with a geek’s garden of knobs during your performance. Rounding it all out is a three-track, 32-step sequencer.

Zones_nrYou can also set ranges for splits and layers by pressing keys right on the keyboard.

 

Axel Hartmann, who’s pretty much the Ferdinand Porsche of the synth world, penned the physical design. Beyond being aesthetically striking, the substantial flip-up panel of the Origin Keyboard puts all the controls right in your face. You don’t have to look down at them or bend your neck, even slightly. This makes prolonged work much less fatiguing. I do wish Arturia had included a panel latch for transport. If you carry the unit with the bottom against your hip and the key lips pointing up, the panel tends to flip open unless you press a forearm against it, which is somewhat awkward. Also, you can’t put this sexy beast on the bottom of a two-tier stand, but who would want to?

Keyboard and Aftertouch

The action is quiet and fast, with textured black keys and a good amount of weight for a synth action. Octave shift buttons, which the desktop version lacks, are a welcome addition here.

Almost nothing these days has true polyphonic aftertouch (the Infinite Response Vax-77 is a notable exception), but Arturia has added significant expressiveness with “duophonic” aftertouch, a feature exclusive to the Origin Keyboard. At the global level, you can decide whether only the highest, lowest, or last note played is affected when you apply pressure to any key. I found last-note priority to be the most musically useful, as I could build chords a note at a time, adding aftertouch (or not) to each note as I went along.

A perennial complaint about aftertouch is that as you press down, the effect on the sound goes from nothing to full blast too quickly. The Origin Keyboard solves this with adjustable re...

Click here to read the rest of the article from Keyboard Magazine

 
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