Mixcraft 5 Sound Editor Branson MO

Mixcraft is not a toy, it’s a no-excuses tool for accomplishing real work, from audio recording, to MIDI with virtual (or hardware) instruments, to creating a video to get your band up on the web. Of course, there are limitations compared to the “big guys,” but these seem to be based around the question “So, does the end user really, really need this?” Wrap this all in a straightforward interface, and you have a program that offers outstanding value.

Mountain Music Shop
(417) 334-0515
1828 W 76 Country Blvd
Branson, MO
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments, Print Music

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Jam Factory
(573) 221-2520
207 N Main St
Hannibal, MO
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments

Data Provided by:
Beckerdite Music Co
(417) 468-4484
751 W Jackson St
Marshfield, MO
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Trumpet Shop & Studio,The
(314) 843-6011
11501 Concord Village Ave
Saint Louis, MO
Types of Instruments Sold
Band & Orchestral

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Music Station
(816) 224-4594
790 Sw Us Highway 40
Blue Springs, MO
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

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E Williamson Music
(417) 624-3157
925 S Rangeline Rd
Joplin, MO
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Springfield Music
(417) 881-1373
3100 S Fremont Ave
Springfield, MO
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Springfield Music is home to the Ozarks' most trusted repair shop. Our shop has well-over seventy-five years of combined experience, and each member of our repair team has their own interests and specialties. We offer brass, woodwind, and stringed instrument repair, at fair rates, great turnaround times and with free estimates. Come in and see for yourself
why we are the Ozark's favorite shop!
Hours
Monday - Friday
10AM-8PM
Saturday
10AM-6PM
Sunday
1PM-5PM

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Lanham Music
(816) 233-5142
2401 N Belt Hwy
Saint Joseph, MO
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Skees Music Repair
(573) 424-5624
4020 Grace Ellen Dr
Columbia, MO

Data Provided by:
Friedman Kannenberg & Co
(860) 913-8849
2009 E Varwick
Ozark, MO

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Mixcraft 5 Sound Editor

0510 Acoustica Mixcraft Main

  1. You can see the video track behind the top of the resizeable video window.
  2. The Details section can be docked and undocked. Choose between piano roll and notation views here.
  3. Choose between piano-roll and notation views here.
  4. The resizable controller strip can show any one MIDI controller at a time.
  5. An automation lane is available per track, and can show any automatable parameter.
  6. Clip automation can be used instead of, or in conjunction with, track automation.
  7. The effects selector makes it easy to assemble effects chains, as well as choose presets for the selected effects.
  8. Tabs bring up different windows for the Details section.

In a world where entire countries are going bankrupt, money’s tighter than James Brown’s horn section. So for those getting into computer-based music, a $75 program looks great on paper — but of course, when you start working with it, your expectations will have to be tempered by reality. After all, that’s about the price of 15 lattes from the Starbucks at LAX. How good can it be?

Surprisingly good. Mixcraft is not a toy, it’s a no-excuses tool for accomplishing real work, from audio recording, to MIDI with virtual (or hardware) instruments, to creating a video to get your band up on the web. Of course, there are limitations compared to the “big guys,” but these seem to be based around the question “So, does the end user really, really need this?” Wrap this all in a straightforward interface, and you have a program that offers outstanding value.

I GET AROUND

Finding your way around the interface (which is not unlike Steinberg Sequel) is easy. The upper part of the window has a standard track/arrangement view with track headers, tracks where clips reside, a timeline, and the like. The lower half, called “Details,” has several tabbed views:

Project. This is where you specify tempo, key, auto beat matching, metronome, global effects, etc., and enter song info in a notepad. Track. Choose a color and size, implement track freeze, duplicate a track, and manage track effects.

Sound. “Editor” would probably be a better term; with a MIDI track selected, you see a piano-roll view with editing tools. For audio, you see the waveform, with the main options being to change loop start and end, do time stretching, change offset and length, etc.

Mixer. This console view includes faders, meters, pan controls, solo/mute, a basic three-band EQ (hi/mid/lo boost and cut), effects selector, and preset chooser for the instruments in MIDI tracks.

Library. Access content through this view; again with the Sequel analogy, it’s somewhat like the Media Bay. Content is organized as 50 sound kits, but you can search for content based on criteria like tempo, key, mood, and the like.

The Details section can be undocked, so you can create more space for the track view — this is particularly useful with dualdisplay systems. Or, you can keep the single-window interface when lapto...

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