Mixcraft 5 Sound Editor Cambridge MA

Mixcraft is not a toy, it’s a no-excuses tool for accomplishing real work, from audio recording, to MIDI with virtual (or hardware) instruments, to creating a video to get your band up on the web. Of course, there are limitations compared to the “big guys,” but these seem to be based around the question “So, does the end user really, really need this?” Wrap this all in a straightforward interface, and you have a program that offers outstanding value.

Sandys Music
(617) 491-2812
896-A Massachusetts Ave
Cambridge, MA
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

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Music Center
(617) 426-5100
1906 Massachusetts Ave
Cambridge, MA

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Cambridge Music Center
(617) 491-5433
1906 Massachusetts Ave
Cambridge, MA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Guitar Center
(617) 738-5958
750 Commonwealth Ave.
Boston, MA
 
Harvey Simons Drum Studios
(617) 536-9307
Po Box 1594
Brookline, MA
Types of Instruments Sold
Drums & Percussion

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Cambridge Violin Shop
(617) 499-9495
50 Jfk St
Cambridge, MA

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Mr. Music
(617) 783-1609
Po Box 430
Allston, MA

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Guitar Stop
(617) 876-0687
1760 Massachusetts Ave
Cambridge, MA
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music
Store Information
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Minor repairs are done at Guitar Stop 7 days a week which includes: restringing, set-ups, intonation and neck adjustments.
Electrical and major repairs are done at Guitar Stop on Sundays 12:00- 6:00 by appointment.
Hours
Monday - Saturday 10:00 AM - 6:00 PM
Wednesday & Thursday 10:00 AM - 8:00 PM
Sunday 12:00 PM - 6:00 PM
Eastern Standard Time

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East Cambridge Piano
(617) 354-4061
343 Medford St
Somerville, MA
Types of Instruments Sold
Acoustic Piano

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Nitro Tone Musical Instruments
(617) 278-2400
1018 Beacon St Ste 201
Brookline, MA
Types of Instruments Sold
Print Music

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Mixcraft 5 Sound Editor

0510 Acoustica Mixcraft Main

  1. You can see the video track behind the top of the resizeable video window.
  2. The Details section can be docked and undocked. Choose between piano roll and notation views here.
  3. Choose between piano-roll and notation views here.
  4. The resizable controller strip can show any one MIDI controller at a time.
  5. An automation lane is available per track, and can show any automatable parameter.
  6. Clip automation can be used instead of, or in conjunction with, track automation.
  7. The effects selector makes it easy to assemble effects chains, as well as choose presets for the selected effects.
  8. Tabs bring up different windows for the Details section.

In a world where entire countries are going bankrupt, money’s tighter than James Brown’s horn section. So for those getting into computer-based music, a $75 program looks great on paper — but of course, when you start working with it, your expectations will have to be tempered by reality. After all, that’s about the price of 15 lattes from the Starbucks at LAX. How good can it be?

Surprisingly good. Mixcraft is not a toy, it’s a no-excuses tool for accomplishing real work, from audio recording, to MIDI with virtual (or hardware) instruments, to creating a video to get your band up on the web. Of course, there are limitations compared to the “big guys,” but these seem to be based around the question “So, does the end user really, really need this?” Wrap this all in a straightforward interface, and you have a program that offers outstanding value.

I GET AROUND

Finding your way around the interface (which is not unlike Steinberg Sequel) is easy. The upper part of the window has a standard track/arrangement view with track headers, tracks where clips reside, a timeline, and the like. The lower half, called “Details,” has several tabbed views:

Project. This is where you specify tempo, key, auto beat matching, metronome, global effects, etc., and enter song info in a notepad. Track. Choose a color and size, implement track freeze, duplicate a track, and manage track effects.

Sound. “Editor” would probably be a better term; with a MIDI track selected, you see a piano-roll view with editing tools. For audio, you see the waveform, with the main options being to change loop start and end, do time stretching, change offset and length, etc.

Mixer. This console view includes faders, meters, pan controls, solo/mute, a basic three-band EQ (hi/mid/lo boost and cut), effects selector, and preset chooser for the instruments in MIDI tracks.

Library. Access content through this view; again with the Sequel analogy, it’s somewhat like the Media Bay. Content is organized as 50 sound kits, but you can search for content based on criteria like tempo, key, mood, and the like.

The Details section can be undocked, so you can create more space for the track view — this is particularly useful with dualdisplay systems. Or, you can keep the single-window interface when lapto...

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