Music Career Services Annapolis MD

The music industry is extremely diverse and there are many different job opportunities for people interested in music careers. The possibilities are endless. The best part is you don’t have to be a vocalist or play an instrument because there are many other music related jobs such as DJ’s, music manager, sound technicians, music agents, publicists, journalists, producers and more. All you need is a creative passion and appreciation for music. Listed below you will find local music resources and career services around Annapolis that can help you get your foot in the door. There will always be a need for singers, keyboardists, guitarists, bass players, drummers, music teachers and other music jobs. Take advantage of the available resources and do something about it.

Shauna Bryce, CPRW
(443) 569-3656
1783 Forest Dr., #304
Annapolis, MD
 
Avery Webster, CPRW
(301) 254-6173
PO Box 6440
Largo, MD
 
Communications Workers of
(410) 224-0166
2441 Holly Ave
Annapolis, MD
 
Communication Workers America Local 2107
(410) 841-0034
25 Loretta St
Annapolis, MD
 
Maryland Job Svc-Job Seeker
(410) 974-7920
2016 Industrial Dr
Annapolis, MD

Data Provided by:
Shahrzad Arasteh, CPRW
(410) 271-5815
PO Box 158
Edgewater, MD
 
Anne Arundel One Stop Career Center
(410) 269-4429
80 West Street
Annapolis, MD
 
Keepers
(410) 224-8833
2625 Housley Rd
Annapolis, MD

Data Provided by:
Cwa Local 2107
(410) 224-0166
1825 George Ave Ste 4
Annapolis, MD
 
UAW Local 2320
(410) 451-0722
1452 Mara Vista Ct
Crofton, MD
 
Data Provided by:

Tracy Martin: Know Your Keys to Launch Your Career

When you see Tracy Martin, it’s easy to be struck by her stunning beauty and funky style. But when you hear her play, you’ll know that behind that beautiful smile lies a monster musician with the chops and talent to do whatever she sets her mind to. Her first gig was with Christian group Soulace in 2007, and since April 2009, she’s been playing keys with R&B superstar Musiq Soulchild. Growing up, Martin honed her prodigious musical skills through gospel music, playing drums and keyboards in and out of church in her native Atlanta, and playing trombone with her high school marching band. Though she learned to read music, she developed her ear as well, the combination of the two proving invaluable.

“I’ve always had a good work ethic when it came to learning songs,” says Martin. “Moreover, I’ve always been a stickler for learning the record as-is. I think the most important thing was making sure I was on top of all my keys. I never wanted to be handicapped by the transpose button, and had too much pride to use it. In return, having learned my keys fluently prepared me to go into more demanding situations, such as the artist wanting to change the original key to one more comfortable to their voice and me not having to fumble through the key of their choosing. Also, it just sounded good that this teenage girl could play in all her keys.”

As her Soulace gig ran its course, she began touring with other wellknown gospel artists such as Sonya McGuire and Friends, Ricky Dillard and Wanda Nero Butler. Her networking around Atlanta led her to a friendship with drummer Stanley Ingram, who was the first to inform her that Musiq was looking for an all-female band. Eager to reach out, Martin wrote to Musiq via his MySpace page and got an immediate response from his assistant Donnita Hathaway (who happens to be the daughter of legendary soul keyboardist artist Donny Hathaway). Martin got to audition, but didn’t get the gig right away. She did keep in touch and after a few casual hangs, invited the band to one of her own gigs where they could see her in her element. “I believe that’s what sealed the deal for me,” says Martin. “The ladies had a chance to assess me on a general level, and onstage, all in a matter of two weeks.”

In April 2009, Martin got the call to join Musiq on the Playing It Cool tour with Anthony Hamilton. Though they were promoting Musiq’s On My Radio album, Martin began working in the recording studio on newer material. “Along the way I’ve had several opportunities to go into the studio with Musiq and be creative for his artists, for other famous artists, and even for him on his latest album, which is huge,” says Martin. But learning the parts from previous albums was where her earlier preparation came into play and gave her a comfort level on the job.

“To my advantage is a highly trained ear and my almost fetishistic discipline to learn the record as it is,” says Martin. “It hasn’t been hard to learn different parts to the song...

Click here to read the rest of the article from Keyboard Magazine

 
Subscribe Live Bookmarks Advertise Contact Us Privacy Policy Terms & Conditions
 



 
Keybord Magazine is a trademark of New Bay Media, LLC. All material published on www.keyboardmag.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved