Signature Sound Denver CO

A good way for you to incorporate this unusual chord into your own playing is to first substitute it for a maj7 chord. Next, you can start to use this color as a substitute forother types of chords. A good exercise is totake a standard, and change all the chordsto maj7#5 chords, using the original roots.

Kramer K.
(877) 231-8505
Emerson St.
Denver, CO
Subjects
Music Performance, Upright Bass, Piano, Music Theory, Bass Guitar
Ages Taught
12 to 99
Specialties
I like to use a fun, but practical approach to teaching that utilizes musical examples, auditory and visual learning, and well as conceptual ideas. I teach music theory, improvisation, as well as ideas for playing with a group. I also teach some technique, in order to facilitate progress, and to avoid injury or unnecessary physical strain. Sometimes, I use instructional books for particular lessons as well. Genres that I specialize in include, but are not limited to rock, funk, jazz, alternat…
Education
University of Wisconsin - Milwaukee - Music Performance - Sept. 2005 - June 2009 (not complete)
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TakeLessons Music Teacher

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Traci N.
(877) 231-8505
E. Iliff Ave.
Denver, CO
Subjects
Piano, Music Performance, Trumpet, Music Theory
Ages Taught
9 to 99
Specialties
Trumpet: any level, beginner to advanced! In lessons of all ability levels I stress the importance of a vocal approach to playing the trumpet, understanding how to make anything musical, that fundamentals are important, and that challenges are opportunities for success. Individual problems are always addressed in personalized ways for each student. It is rewarding and fun to see the self-awareness and deserved confidence that comes with the dedicated study of trumpet.
Education
DePaul University School of Music - Music: Trumpet Performance - Fall 2005-Spring 2009 (Bachelor's degree received) University of Denver - Music: Trumpet Performance - Fall 2009-Present (not complete)
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TakeLessons Music Teacher

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AnnaBeth D.
(877) 231-8505
E Girard Ave
Denver, CO
Subjects
Songwriting, Piano, Opera Voice, Music Performance, Speaking Voice, Singing, Music Theory, Acting, Theatrical Broadway Singing
Ages Taught
5 to 99
Specialties
Piano and vocals: beg to adv Comfortable teaching adults I focus on a basic, historically taught technique that is good for the human vocal instrument, with an emphasis that this basic technique can be applied to any style, from Rock to Opera, from Jazz to Broadway. With proper knowledge of the vocal instrument, both physically and theoretically, I find students progressing with strength and confidence in what each works at through lessons. I put great focus on the fact that I am present to f…
Education
Bishop Machebeuf Catholic High School - - 8/93-6/97 (not complete) Regis University - English, Education, minor in Music - 1/98-9/99 (not complete) Lamont School of Music, at The University of Denver - Vocal Performance - 9/00-6/04 (Bachelor's degree received) Mountain BOCES - Education Certification, Music K-12 - 9/06-6/07 (Degree received)
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TakeLessons Music Teacher

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Sue B.
(877) 231-8505
W Iowa Drive
Denver, CO
Subjects
Theatrical Broadway Singing, Singing, Music Theory, Piano
Ages Taught
5 to 99
Specialties
Bastien
Education
North Carolina School of the Arts - voice major - 1976-1980 (Bachelor's degree received)
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TakeLessons Music Teacher

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Johanna N.
(877) 231-8505
S. Sheridan Blvd.
Denver, CO
Subjects
Singing, Music Theory, Piano
Ages Taught
1 to 99
Specialties
Piano: beg - adv Voice: beg - inter I specialize in classical training for piano and voice. I prefer the Thompson series for beginners on piano. For more developed students I take their interests into consideration, so my styles and genres are more inclusive.
Education
Western State College - Music - 08-02 to 05-06 (Bachelor's degree received) Regis University - Education - 06-08 to 05-10 (Master's degree received)
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Carol Smith
9074 W. Center Ave.
Lakewood, CO
Instruments
Chorus, Piano
Styles
Classical, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
17 Years

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Beth S.
(877) 231-8505
East Hampden Ave
Denver, CO
Subjects
Piano
Ages Taught
3 to 99
Specialties
music, Piano classical piano
Education
Royalton Hartland Central School - Music - 1986-1990 Metro State College of Denver - Music/Piano - beginning May 2008
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Rachel P.
(877) 231-8505
E. Girard Avenue
Denver, CO
Subjects
Piano, Trumpet, Cello, Bassoon, Music Performance, Violin, Drums, Tuba, Flute, Viola, Clarinet, Ukulele, Trombone, French Horn, Oboe, Percussion, Guitar
Ages Taught
5 to 20
Specialties
I teach beginner to advanced level flute as well as beginner to intermediate guitar, piano, percussion, woodwinds, and brass. I am a classically trained musician, so I know more about classic/baroque/romantic music. However, I do have experience with jazz and mainstream music.
Education
Eastern University - Music Education and Music Performance - 2004-2009 (Bachelor's degree received)
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Brandon N.
(877) 231-8505
East ILIFF Ave
Denver, CO
Subjects
Music Theory, Acting, Bass Guitar, Guitar, Piano, Classical Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
I generally can play any style of music that I hear. I enjoy rock/pop music and enjoy learning various finger-picking style of music. Most of my practice takes place on the acoustic guitar for finger strength and then I will apply that to electric guitar. I love blues music as well as R&B and have written several pieces in every genre.
Education
University of Colorado - Bachelors of Science in Music - 2002-2003 (degree received) Polk Community College - General Associate of Arts - 1999-2001 (degree received) Lake Region High School - Tri-Music Honor Society - 1997-2001 (degree received)
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Bianca Herbert
1751 S Granby St -
Aurora, CO
Instruments
Audio Recording, Cello, Chorus, Composition, Ear Training, Music Business, Music Therapy, Other, Piano, Suzuki Method, Theory, Viola, Violin, Voice
Styles
Blues, Classical, Jazz, Kids, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$38
Years of Experience
16 Years

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Signature Sound

A good way for you to incorporate this unusual chord into your own playing is to first substitute it for a maj7 chord. Next, you can start to use this color as a substitute for other types of chords. A good exercise is to take a standard, and change all the chords to maj7#5 chords, using the original roots.You’ll be amazed how this radically changes the sound of the tune, while still maintaining the form and shape.

Ex. 1. Quick reference rule: To play a maj7#5, play a major triad a major third above the root of the chord, as shown with the E major triad over a C bass note in 1a. Three scales are good for playing over maj7#5 chords; the first, shown in 1b, is the third mode of the melodic minor scale, which in this case is the A melodic minor, starting on the third degree. It’s called C Lydian augmented. The left hand is playing a root position Cmaj7#5. Due to their unusual nature, maj7#5 chords can be voiced in root position, and sound and function just fine. Measure 1c shows the third mode of the A harmonic minor scale, called the C major augmented scale. Measure 1d shows the harmonic major scale. The #5 is en-harmonically a b6, so in this scale, we have a natural 5 and a #5, as well as the natural 4.

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.1.jpg

Ex. 2. Another good choice is the equally unusual symmetric hexatonic augmented scale, usually referred to simply as the augmented scale. Whatever you call it, it’s a six note-scale, composed of two augmented triads a half-step apart (Baug and Caug), as in 2a. The scale, shown in 2b, alternates minor thirds and half steps. A chromatic sounding scale when applied to the maj7#5 chord, it contains both the major and minor third, and the perfect and augmented fifth. Here are some two-hand comping voicings for Cmaj7#5. The first one, shown in 2c, contains an E major triad (in second inversion) in the right hand, over what could be interpreted as an Amin maj7 rootless voicing in the left hand. Of course it’s also a Cmaj7#5 in the second inversion. Next in 2d, we have the two augmented triads that comprise the augmented scale. Chick Corea played this voicing in “The Brain” (in another key). Finally in 2e we have the major triad pair from the C Lydian augmented scale (voicing contains the #4 and #5).

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.2.jpg

Ex. 3. Here in 3a are the triad pairs from the C Lydian augmented scale used as a melodic line. In 3b, the C augmented scale contains three major triads (as scale tone-triads) a major third apart: C, E, Ab. Here’s a line using those scale tone triads in root position with a chromatic approach to each.

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.3.jpg

Ex. 4. WEB EXCLUSIVE EXAMPLE! The descending scale tone major triad line from the augmented scale (4a) is based on a famous Oliver Nelson lick, over a left hand root position chord. The augmented scale also contains three scale tone minor triads. Here in 4b is one way of making a linear statement playing them in triplets over a left-hand open shell. Another interesting component found in the augmented scale are major thirds, a half step apart. They make for an i...

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