Signature Sound Kissimmee FL

A good way for you to incorporate this unusual chord into your own playing is to first substitute it for a maj7 chord. Next, you can start to use this color as a substitute forother types of chords. A good exercise is totake a standard, and change all the chordsto maj7#5 chords, using the original roots.

Bonnie P.
(877) 231-8505
Donnelly Circle
Orlando, FL
Subjects
Oboe, Piano
Ages Taught
1 to 25
Specialties
Pop, Rock, Classical
Education
Dunedin High School - - 1973-1975 (degree received) University of South Florida - Music - 1976-1979 (degree received) University of Michigan - Music - 1979-1980 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jill H.
(877) 231-8505
Country Club Dr.
Titusville, FL
Subjects
Guitar, Accordion, Music Theory, Theatrical Broadway Singing, Banjo, Opera Voice, Trumpet, Bass Guitar, Percussion, Ukulele, Harmonica, Piano, Clarinet, Classical Guitar, Singing, Music Performance, Songwriting, Drums, Music Recording, Speaking Voice, Violin
Ages Taught
4 to 99
Specialties
My specialty in voice comes from years of lessons and experience. I used many methods and books to bring out various ideas on how to teach voice lessons. I take each individual at his/her level and try to improve breathing technique, posture, enunciation with style and phrasing, depending on the student's aspirations.
Education
Charleston HIgh School - academic diploma - 1971-75 (High School diploma received) Evangel College - music education - 1975-79 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Alexandra L.
(877) 231-8505
SW 82 Street
Miami, FL
Subjects
Piano, Opera Voice, Speaking Voice, Singing, Acting, Music Performance, Theatrical Broadway Singing, Dance, Music Theory
Ages Taught
5 to 99
Specialties
I specialize in teaching voice to both musical theatre and classically trained voice students. I am also trained in staging musical theatre and opera songs.
Education
University of Miami - - 2007-present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Andrew B.
(877) 231-8505
Cascades Park Trail Deland, FL
Deland, FL
Subjects
Music Theory, Guitar, Drums, Piano
Ages Taught
13 to 70
Specialties
Visualization method of practicing guitar: classical style, rock style, contemporary christian song style.
Education
Stetson University - Music Composition - 2008-2010 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Bonnie P.
(877) 231-8505
Donnelly Circle
Orlando, FL
Subjects
Oboe, Piano
Ages Taught
1 to 25
Specialties
Pop, Rock, Classical
Education
Dunedin High School - - 1973-1975 (degree received) University of South Florida - Music - 1976-1979 (degree received) University of Michigan - Music - 1979-1980 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Dee L.
(877) 231-8505
Addison Drive
Kissimmee, FL
Subjects
Piano, Organ
Ages Taught
7 to 75
Specialties
Methods haven't changed over the decades - I teach traditionally including the basics along with music theory.
Education
Bridgewater College - Music Education - (Bachelor's degree received) Rollins College - Education & Teaching - (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Rhonda Kupfer
4171 Carambola Circle S
Coconut Creek, FL
Instruments
Electronic, Flute, Piano, Theory
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$0
Years of Experience
10 Years

Data Provided by:
Eric F.
(877) 231-8505
SW 54th Way
Boca Raton, FL
Subjects
Trumpet, Music Theory, Music Theory, Guitar, Trumpet, Guitar, Bass Guitar, Bass Guitar, Music Performance, Songwriting, Songwriting, Music Performance, Piano, Piano, Music Recording, Music Recording
Ages Taught
12 to 99
Specialties
lydian chromatic theory, George Russell jazz, rock, pop, digital studio recording, record copying, recording techniques, mastering.
Education
Berklee College - Education - 1976-79 (Bachelor's degree received) New England Conservatory - Composition - 1991-93 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Matthew P.
(877) 231-8505
Salih st
Opa Locka, FL
Subjects
Bass Guitar, Music Recording, Piano, Trombone, Music Performance
Ages Taught
5 to 99
Specialties
specialize in jazz and gospel music
Education
Norland high - - 08/92-05/94 (not complete) stranahan high - - 08/94-05/96 (not complete) grambling state - music performance - 08/97-05/01 (not complete) Florida memorial - music performance - 08/08-present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Angela H.
(877) 231-8505
Jettie St. NE
Palm Bay, FL
Subjects
Piano, Singing
Ages Taught
5 to 99
Specialties
I teach all vocal styles, from Classical to Jazz, Music Theater to Pop. Solfege reinforces ear-training and vocal ability. I teach in the piano style that best fits the student. Theory and sight-reading is an important tool that I teach in a fun way.
Education
Florida State University - Music Education- Vocal - August 2002- December 2006 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Data Provided by:

Signature Sound

A good way for you to incorporate this unusual chord into your own playing is to first substitute it for a maj7 chord. Next, you can start to use this color as a substitute for other types of chords. A good exercise is to take a standard, and change all the chords to maj7#5 chords, using the original roots.You’ll be amazed how this radically changes the sound of the tune, while still maintaining the form and shape.

Ex. 1. Quick reference rule: To play a maj7#5, play a major triad a major third above the root of the chord, as shown with the E major triad over a C bass note in 1a. Three scales are good for playing over maj7#5 chords; the first, shown in 1b, is the third mode of the melodic minor scale, which in this case is the A melodic minor, starting on the third degree. It’s called C Lydian augmented. The left hand is playing a root position Cmaj7#5. Due to their unusual nature, maj7#5 chords can be voiced in root position, and sound and function just fine. Measure 1c shows the third mode of the A harmonic minor scale, called the C major augmented scale. Measure 1d shows the harmonic major scale. The #5 is en-harmonically a b6, so in this scale, we have a natural 5 and a #5, as well as the natural 4.

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.1.jpg

Ex. 2. Another good choice is the equally unusual symmetric hexatonic augmented scale, usually referred to simply as the augmented scale. Whatever you call it, it’s a six note-scale, composed of two augmented triads a half-step apart (Baug and Caug), as in 2a. The scale, shown in 2b, alternates minor thirds and half steps. A chromatic sounding scale when applied to the maj7#5 chord, it contains both the major and minor third, and the perfect and augmented fifth. Here are some two-hand comping voicings for Cmaj7#5. The first one, shown in 2c, contains an E major triad (in second inversion) in the right hand, over what could be interpreted as an Amin maj7 rootless voicing in the left hand. Of course it’s also a Cmaj7#5 in the second inversion. Next in 2d, we have the two augmented triads that comprise the augmented scale. Chick Corea played this voicing in “The Brain” (in another key). Finally in 2e we have the major triad pair from the C Lydian augmented scale (voicing contains the #4 and #5).

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.2.jpg

Ex. 3. Here in 3a are the triad pairs from the C Lydian augmented scale used as a melodic line. In 3b, the C augmented scale contains three major triads (as scale tone-triads) a major third apart: C, E, Ab. Here’s a line using those scale tone triads in root position with a chromatic approach to each.

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.3.jpg

Ex. 4. WEB EXCLUSIVE EXAMPLE! The descending scale tone major triad line from the augmented scale (4a) is based on a famous Oliver Nelson lick, over a left hand root position chord. The augmented scale also contains three scale tone minor triads. Here in 4b is one way of making a linear statement playing them in triplets over a left-hand open shell. Another interesting component found in the augmented scale are major thirds, a half step apart. They make for an i...

Click here to read the rest of the article from Keyboard Magazine

 
Subscribe Live Bookmarks Advertise Contact Us Privacy Policy Terms & Conditions
 



 
Keybord Magazine is a trademark of New Bay Media, LLC. All material published on www.keyboardmag.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved