Signature Sound Syracuse NY

A good way for you to incorporate this unusual chord into your own playing is to first substitute it for a maj7 chord. Next, you can start to use this color as a substitute forother types of chords. A good exercise is totake a standard, and change all the chordsto maj7#5 chords, using the original roots.

Nina R.
(877) 231-8505
W 157th
New York, NY
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Theatrical Broadway Singing, Opera Voice, Piano, Singing
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6 to 85
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I specialize in classical voice, Broadway, and pop singing. I can do any style because I focus on healthy technique. My main singing is classical, but I also sing different styles. For piano, I teach beginners piano.
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Interlochen Arts Academy - voice major/piano minor - 1999-2001 (High School diploma received) Manhattan School of Music - voice - 2001-2005 (Bachelor's degree received) Manhattan School of Music - voice - 2005-2007 (Master's degree received)
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Bobby Rogovin
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New York, NY
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Horn, Other, Piano, Trumpet, Voice
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$50
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40 Years

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Adam K.
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Tiemann Pl.
New York, NY
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Songwriting, Music Performance, Music Theory, Piano
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5 to 50
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I specialize in teaching jazz/pop/rock/improvisation. I can teach beginner/intermediate classical piano lessons as well. I teach composition/theory/ear training for all instruments.
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Manhattan School of Music - Jazz Piano Performance - Fall 2007-Spring 2011 (not complete)
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I like to use a developmental lesson, with a clear aim for each lesson. Instead of giving the information to a student, I use questions to lead the students to the answer.
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Paqe University - Business - 9/97-5/08 (not complete) Manhattanville College - Music Education - 9/98-5/02 (Bachelor's degree received) Lehman College - Music Education - 9/05-1/07 (Master's degree received)
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Patrice Jackson
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New York, NY
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$80
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Jamie R.
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Noll St.
Brooklyn, NY
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5 to 80
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I usually adjust my method to the student's needs. For example, if the student is not serious about music and wants to take lessons for fun, I will not pressure practicing (although communicate that it is important to practice in order to improve). However, if the student has a particular goal or is serious about music, I will usually teach a more detailed and intense lesson. Although I have a degree in voice performance, I have had a lot of theater education, and I focus my singing lessons o…
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Dimitry E.
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New York, NY
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I specialize in jazz as well as classical theory and jazz theory.
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New York University - Jazz Studies - 9/2005 - 5/2009 (Bachelor's degree received)
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Hommocks Rd
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I use many different methods depending on the student's individual needs. However, I do tend to favor the Alfred's piano method because over the years it has been very popular with students,
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Brian M.
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6 to 99
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Will discuss at interview.
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San Francisco Conservatory of Music - Composition - 9/04-5/06 (Master's degree received) Berklee College of Music - Composition/Film Scoring - 9/99-5/02 (Bachelor's degree received) Boston University - Psychology - 9/94-8/98 (Bachelor's degree received)
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345 Eldert Street Apt 1
Brooklyn, NY
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Signature Sound

A good way for you to incorporate this unusual chord into your own playing is to first substitute it for a maj7 chord. Next, you can start to use this color as a substitute for other types of chords. A good exercise is to take a standard, and change all the chords to maj7#5 chords, using the original roots.You’ll be amazed how this radically changes the sound of the tune, while still maintaining the form and shape.

Ex. 1. Quick reference rule: To play a maj7#5, play a major triad a major third above the root of the chord, as shown with the E major triad over a C bass note in 1a. Three scales are good for playing over maj7#5 chords; the first, shown in 1b, is the third mode of the melodic minor scale, which in this case is the A melodic minor, starting on the third degree. It’s called C Lydian augmented. The left hand is playing a root position Cmaj7#5. Due to their unusual nature, maj7#5 chords can be voiced in root position, and sound and function just fine. Measure 1c shows the third mode of the A harmonic minor scale, called the C major augmented scale. Measure 1d shows the harmonic major scale. The #5 is en-harmonically a b6, so in this scale, we have a natural 5 and a #5, as well as the natural 4.

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.1.jpg

Ex. 2. Another good choice is the equally unusual symmetric hexatonic augmented scale, usually referred to simply as the augmented scale. Whatever you call it, it’s a six note-scale, composed of two augmented triads a half-step apart (Baug and Caug), as in 2a. The scale, shown in 2b, alternates minor thirds and half steps. A chromatic sounding scale when applied to the maj7#5 chord, it contains both the major and minor third, and the perfect and augmented fifth. Here are some two-hand comping voicings for Cmaj7#5. The first one, shown in 2c, contains an E major triad (in second inversion) in the right hand, over what could be interpreted as an Amin maj7 rootless voicing in the left hand. Of course it’s also a Cmaj7#5 in the second inversion. Next in 2d, we have the two augmented triads that comprise the augmented scale. Chick Corea played this voicing in “The Brain” (in another key). Finally in 2e we have the major triad pair from the C Lydian augmented scale (voicing contains the #4 and #5).

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.2.jpg

Ex. 3. Here in 3a are the triad pairs from the C Lydian augmented scale used as a melodic line. In 3b, the C augmented scale contains three major triads (as scale tone-triads) a major third apart: C, E, Ab. Here’s a line using those scale tone triads in root position with a chromatic approach to each.

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.3.jpg

Ex. 4. WEB EXCLUSIVE EXAMPLE! The descending scale tone major triad line from the augmented scale (4a) is based on a famous Oliver Nelson lick, over a left hand root position chord. The augmented scale also contains three scale tone minor triads. Here in 4b is one way of making a linear statement playing them in triplets over a left-hand open shell. Another interesting component found in the augmented scale are major thirds, a half step apart. They make for an i...

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