Signature Sound West Chester PA

A good way for you to incorporate this unusual chord into your own playing is to first substitute it for a maj7 chord. Next, you can start to use this color as a substitute forother types of chords. A good exercise is totake a standard, and change all the chordsto maj7#5 chords, using the original roots.

Sharon B.
(877) 231-8505
Yorkminster Road
West Chester, PA
Subjects
Piano
Ages Taught
5 to 99
Specialties
I'm a classically trained pianist. I teach students to read music. I teach all kinds of music not just classical.
Education
Loudoun County High - HS Diploma - 1978-81 (High School diploma received) West Chester University - Piano Performance - 1981-85 (Bachelor's degree received) Catholic University of America - Piano Performance - 1981-87 (Master's degree received)
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Susan T.
(877) 231-8505
15th ave
Prospect Park, PA
Subjects
Drums, Flute, Trumpet, Clarinet, Piano, Saxophone, Percussion
Ages Taught
3 to 99
Specialties
Classical and jazz
Education
Interboro High School - - 1985-1989 (not complete) Temple University - Music - 1989-1995 (not complete)
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TakeLessons Music Teacher

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Allison G.
(877) 231-8505
Ardmore Ave.
Ardmore, PA
Subjects
Music Performance, Piano, Theatrical Broadway Singing, Music Theory, Dance, Singing
Ages Taught
5 to 15
Specialties
I specialize in classical music both piano and voice, and also basic music theory. (Although I could teach more advanced theory if needed). I am very well educated in Vocal Diction for English, Spanish, Italian, Latin, French and German.I also studied Broadway style music shortly and very much enjoy playing/singing in that style and would love to teach it as well.
Education
Eastern University - Music - 2004-2008 (Bachelor's degree received)
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TakeLessons Music Teacher

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Amy A.
(877) 231-8505
Pequea Avenue
Honey Brook, PA
Subjects
Music Theory, Theatrical Broadway Singing, Opera Voice, Trumpet, French Horn, Piano, Singing, Music Performance, Speaking Voice
Ages Taught
5 to 99
Specialties
My training is in classical music but I teach other genres as well.
Education
Bucknell University - Music - 1990-1994 (Bachelor's degree received) Cherry Hill HS East - general - 1986-1990 (High School diploma received)
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TakeLessons Music Teacher

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Chris D.
(877) 231-8505
Thornton Court
Souderton, PA
Subjects
Piano
Ages Taught
5 to 99
Specialties
I am most familiar with classical because that is what I was mostly trained in. However, I work well with students who enjoy learning pop, rock and contemporary styles. I work out of Faber's Piano Adventures series but supplement with scales, arpeggios and repertoire that I find suitable for the student.
Education
West Chester University of Pennsylvania - Music - 2004-2009 (Bachelor's degree received) Cabrini College - Masters of Education - Beginning Part time Fall 2010 (not complete)
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Grace D.
(877) 231-8505
Conestoga Rd
Bryn Mawr, PA
Subjects
Singing, Music Performance, Piano, Opera Voice, Acting, Theatrical Broadway Singing
Ages Taught
4 to 99
Specialties
I am an opera singer- so I specialize in classical singing. However I have also sung jazz and pop and done numerous musical theater productions and I would be willing to teach those as well. I have taken 13 years of piano and I would teach both classical and other more popular techniques including learning chords for lead sheets etc.
Education
St. Stephen's Episcopal School - August 2000-May 2004 (High School diploma received) Rice University - Bachelors in Music, and concentration in Visual Arts - August 2004-May 2008 (Bachelor's degree received) Texas State University - artist diploma - August 2008-jan 2009 (Degree received)
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TakeLessons Music Teacher

Data Provided by:
Valerie B.
(877) 231-8505
Denn Place
Wilmington, DE
Subjects
Piano, Violin, Singing
Ages Taught
1 to 16
Specialties
For piano & violin, I specialize in the younger aged students (grades K-8) beginner/intermediate levels. For singing, I specialize in whatever age you at! I am able to train in various styles ranging from Children's songs to Broadway, Contemporary or even the more classical approach necessary for arias and traditional hymns. I also can address specific needs like learning choral music for a student's school choir and preparing a student for auditions or talent shows.
Education
West Chester University - Music Education, K-12 - Fall 1993- Spring 1997 (Bachelor's degree received)
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TakeLessons Music Teacher

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Candace L.
(877) 231-8505
Birchwood Drive
Norristown, PA
Subjects
Piano, Harp, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
Harp: Salzedo method Piano: Classical, Jazz, and Contemporary
Education
Creat And Performing Arts (CAPA) - Instrumental - 1995-1997 (High School diploma received) Arcadia University - Music Education - 1999-2005 (not complete)
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TakeLessons Music Teacher

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Nora M.
(877) 231-8505
Thorn Lane,
Newark, DE
Subjects
Flute, Music Performance, Music Theory, Piano, Oboe, Bassoon, Singing
Ages Taught
5 to 40
Specialties
I have used the Gordon Method during my studies at the University of Miami. I use a combination of that method as well as my own depending on the age level of the students.
Education
University of Miami - music education - 08/06-05/10 (Bachelor's degree received) University of Delaware - music performance - 08/10-05/12 (not complete)
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TakeLessons Music Teacher

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Justin Jue
177 Arbour Ct
North Wales, PA
Instruments
Composition, Conducting, Ear Training, Electronic, Film Scoring, Piano, Recording, Theory
Styles
Blues, Classical, Electronic, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
7 Years

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Signature Sound

A good way for you to incorporate this unusual chord into your own playing is to first substitute it for a maj7 chord. Next, you can start to use this color as a substitute for other types of chords. A good exercise is to take a standard, and change all the chords to maj7#5 chords, using the original roots.You’ll be amazed how this radically changes the sound of the tune, while still maintaining the form and shape.

Ex. 1. Quick reference rule: To play a maj7#5, play a major triad a major third above the root of the chord, as shown with the E major triad over a C bass note in 1a. Three scales are good for playing over maj7#5 chords; the first, shown in 1b, is the third mode of the melodic minor scale, which in this case is the A melodic minor, starting on the third degree. It’s called C Lydian augmented. The left hand is playing a root position Cmaj7#5. Due to their unusual nature, maj7#5 chords can be voiced in root position, and sound and function just fine. Measure 1c shows the third mode of the A harmonic minor scale, called the C major augmented scale. Measure 1d shows the harmonic major scale. The #5 is en-harmonically a b6, so in this scale, we have a natural 5 and a #5, as well as the natural 4.

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.1.jpg

Ex. 2. Another good choice is the equally unusual symmetric hexatonic augmented scale, usually referred to simply as the augmented scale. Whatever you call it, it’s a six note-scale, composed of two augmented triads a half-step apart (Baug and Caug), as in 2a. The scale, shown in 2b, alternates minor thirds and half steps. A chromatic sounding scale when applied to the maj7#5 chord, it contains both the major and minor third, and the perfect and augmented fifth. Here are some two-hand comping voicings for Cmaj7#5. The first one, shown in 2c, contains an E major triad (in second inversion) in the right hand, over what could be interpreted as an Amin maj7 rootless voicing in the left hand. Of course it’s also a Cmaj7#5 in the second inversion. Next in 2d, we have the two augmented triads that comprise the augmented scale. Chick Corea played this voicing in “The Brain” (in another key). Finally in 2e we have the major triad pair from the C Lydian augmented scale (voicing contains the #4 and #5).

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.2.jpg

Ex. 3. Here in 3a are the triad pairs from the C Lydian augmented scale used as a melodic line. In 3b, the C augmented scale contains three major triads (as scale tone-triads) a major third apart: C, E, Ab. Here’s a line using those scale tone triads in root position with a chromatic approach to each.

http://www.keyboardmag.com/uploadedImages/keyboardmagazine/Play/Key7.09_Play_Jazz_Ex.3.jpg

Ex. 4. WEB EXCLUSIVE EXAMPLE! The descending scale tone major triad line from the augmented scale (4a) is based on a famous Oliver Nelson lick, over a left hand root position chord. The augmented scale also contains three scale tone minor triads. Here in 4b is one way of making a linear statement playing them in triplets over a left-hand open shell. Another interesting component found in the augmented scale are major thirds, a half step apart. They make for an i...

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