» » »

Subliminal Automation Conroe TX

By applying what I call "subliminalautomation," you can hold listeners' attentionwithout resorting to abrupt shifts. The idea isto use very small brush strokes to keep a partchanging continuously but subtly.

Everson Music Academy, Group Piano Studio
The Woodlands, TX
Kindermusik Of The Woodlands
(281) 298-1909
25218 Grogans Park Dr
Spring, TX

Data Provided by:
Andrea Cannon Guitar Arts Stdo
(281) 320-9656
PO Box 11477
Spring, TX

Data Provided by:
Trinity University
(210) 999-8212
San Antonio TX
San Antonio, TX

Data Provided by:
Musical Kids With Ms. Cheryl
(832) 437-4500
3803 Fall Branch Drive
Katy, TX
Digital Dimensions
(281) 703-7037
4519 Pineville Lane
Spring, TX
Jim Sutton Institute Of Guitar
(281) 350-0406
23014 Quail Shute
Spring, TX

Data Provided by:
Hardin-Simmons University
Box 16230
Abilene, TX
Texas Christian University
(817) 257-7602
Fort Worth TX
Fort Worth, TX

Data Provided by:
Renees Music Room
Cedar Park, TX
Data Provided by:

Subliminal Automation

As one of Brian Eno’s ObliqueStrategies cards states, “Repetition is a formof change.” For dance music, this isn’t merely astrategy, but a mantra. However, the fact of thematter is — unless your audience’s intoxicantsare extremely good — too much repetitiongets old fast. Too little, and you risk breaking the spell you’re casting on the dance floor.

The most common technique for keeping a riff interesting is to dramatically morph the synths and effects, creating crescendos andpeaks to enhance the listener’s journey. Thisis well-suited to progressive dance, sometypes of house, and of course, trance. Butdrastic or sweeping changes don’t always mesh with the tech and minimal genres.

By applying what I call “subliminalautomation,” you can hold listeners’ attention without resorting to abrupt shifts. The idea isto use very small brush strokes to keep a part changing continuously but subtly. To illustratethis, we’ll automate an analog-style square wave riff over a beat from Loopmasters’ JoeyYoungman library. The end result is a cyclingriff that keeps tickling the ear, while leaving sonic space for embellishments in the drumsand other synth bits.

0.001_StrobeStep 1. Create a simple riff with a sound that’s not too complex and has a bitof room to morph subtly. Here’s the isolated square wave riff, created withFXpansion’s Strobe synth from DCAM Synth Squad (reviewed Nov. ’09).

0.002_FilterAutoStep 2. Let’s start with a touch of filter automation. Inthis example (using Ableton Live), we’ve lowered thecutoff ever so slightly, then put a slight peak at themiddle of the eight-bar loop.

0.003_SawAutoStep 3. To change the wave shape slightly, we’llblend in a bit of sawtooth twice, with peaks atbar 3 and bar 7.

0.004_SustainAutoStep 4. Another useful parameter to automate is theenvelope sustain level. Large shifts are great forbuilding peaks and crescendos. A tiny amount addsjust a dash of flavor.

0.005_NoiseAutoStep 5. As a final touch, we’ll blend in a bit of noise. Aswith sustain and filter, a little goes a long way. For thepeaks, you can get a lot crazier, as we’ve discussed inprevious columns.

Click here to read the rest of the article from Keyboard Magazine

Subscribe Live Bookmarks Advertise Contact Us Privacy Policy Terms & Conditions

Keybord Magazine is a trademark of New Bay Media, LLC. All material published on www.keyboardmag.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved