Subliminal Automation Eau Claire WI

By applying what I call "subliminalautomation," you can hold listeners' attentionwithout resorting to abrupt shifts. The idea isto use very small brush strokes to keep a partchanging continuously but subtly.

University of Wisconsin - Eau Claire (UW-Eau Claire Music and Theatre Arts Department)
121 Water Street
Eau Claire, WI
Lawrence University
PO Box 599
Appleton, WI
University of Wisconsin -Milwaukee
(414) 229-2222
Milwaukee WI
Milwaukee, WI

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Prarie School Summer Chamber Music Workshop
(262) 260-7213
Racine WI
Racine, WI

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Wisconsin Conservatory of Music
(414) 276-5760
Milwaukee WI
Milwaukee, WI

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Beloit College
(608) 363-2366
Beloit WI
Beloit, WI

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Wausau Conservatory of Music Inc.
(715) 845-6279
Wausau WI
Wausau, WI

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University of Wisconsin - Parkside
(262) 595-2355
Kenosha WI
Kenosha, WI

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Alverno College
(800) 933-3401
Milwaukee WI
Milwaukee, WI

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Vermont Music & Arts Center
175 Virginia Terr. Box 1615
Madison, WI
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Subliminal Automation

As one of Brian Eno’s ObliqueStrategies cards states, “Repetition is a formof change.” For dance music, this isn’t merely astrategy, but a mantra. However, the fact of thematter is — unless your audience’s intoxicantsare extremely good — too much repetitiongets old fast. Too little, and you risk breaking the spell you’re casting on the dance floor.

The most common technique for keeping a riff interesting is to dramatically morph the synths and effects, creating crescendos andpeaks to enhance the listener’s journey. Thisis well-suited to progressive dance, sometypes of house, and of course, trance. Butdrastic or sweeping changes don’t always mesh with the tech and minimal genres.

By applying what I call “subliminalautomation,” you can hold listeners’ attention without resorting to abrupt shifts. The idea isto use very small brush strokes to keep a part changing continuously but subtly. To illustratethis, we’ll automate an analog-style square wave riff over a beat from Loopmasters’ JoeyYoungman library. The end result is a cyclingriff that keeps tickling the ear, while leaving sonic space for embellishments in the drumsand other synth bits.

0.001_StrobeStep 1. Create a simple riff with a sound that’s not too complex and has a bitof room to morph subtly. Here’s the isolated square wave riff, created withFXpansion’s Strobe synth from DCAM Synth Squad (reviewed Nov. ’09).

0.002_FilterAutoStep 2. Let’s start with a touch of filter automation. Inthis example (using Ableton Live), we’ve lowered thecutoff ever so slightly, then put a slight peak at themiddle of the eight-bar loop.

0.003_SawAutoStep 3. To change the wave shape slightly, we’llblend in a bit of sawtooth twice, with peaks atbar 3 and bar 7.

0.004_SustainAutoStep 4. Another useful parameter to automate is theenvelope sustain level. Large shifts are great forbuilding peaks and crescendos. A tiny amount addsjust a dash of flavor.

0.005_NoiseAutoStep 5. As a final touch, we’ll blend in a bit of noise. Aswith sustain and filter, a little goes a long way. For thepeaks, you can get a lot crazier, as we’ve discussed inprevious columns.

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