The Chord Doctor - Expand Your Chordal Command Abilene TX

The chord chart for what I play could be the same for accompanying a number of different artists, but how I voice those chords may be radically different depending on the music. To illustrate that, Examples 1-5 present the same eight-bar chord progression in a variety of contexts — proof positive that the same chord can sound completely different depending on how you voice it.

Lorena B.
(877) 231-8505
Evers
San Antonio, TX
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Opera Voice, Piano, Music Theory, Singing
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5 to 99
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Classical, Hymns, Inspirational, Contemporary, Gospel and Christian
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Our lady of the Lake University - Music/Vocal Performance - 2007-2009 (Bachelor's degree received)
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Pierre C.
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Rodeo Dr
Irving, TX
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Piano, Music Theory
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5 to 99
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I specialize in classical and pop music. I am a songwriter that incorporates the fundamental aspects of music theory to write classical and pop/rock compositions. I license music and have submitted songs for placement in ads for Microsoft, Unilever, Suave, and I Can't Believe It's Not Butter
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Southern Methodist University - Geology - 01-06 (Bachelor's degree received)
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gfire m.
(877) 231-8505
st and Manor Road
Austin, TX
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Singing, Theatrical Broadway Singing, Piano, Music Recording, Songwriting, Music Theory, Music Performance, Speaking Voice, Opera Voice
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5 to 99
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music, singing, piano, songwriting, DJ'ing, yoga I have developed Yoga for the Voice - a combination of my 18 years of studying and receiving certification in the Science of Singing (as taught by Ernest George White of London, England) and my 10 years experience and certification in yoga, specifically ancient yoga breathing techniques. I will work with voice students as young as 7 and as old as they want to go! Voice lessons span all styles and all levels - pop, rock, r 'n' b, country, folk, …
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Univ. of MD - music - voice & piano - 1986-1990 Kennedy H.S. - college prep - 1983-1986
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Cedar Park, TX
 
Rocio R.
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Woodlark Wy.
El Paso, TX
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Music Theory, Opera Voice, Guitar, Music Performance, Singing, Classical Guitar, Piano
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5 to 99
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Opera Voice Bel Canto Contemporary Singing Classical Piano Classical Guitar Folk Guitar Latin-American Styles Pop
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University of Texas at El Paso - Music - 08/2000-05/2007 (Bachelor's degree received)
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Tim (William) K.
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Silver Buckle
Schertz, TX
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Music Theory, Acting, Guitar, Theatrical Broadway Singing, Trombone, Classical Guitar, Dance, Music Performance, Piano, Speaking Voice, Singing
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5 to 99
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Folk music, Kodaly, Orff
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UTSA - Music Literature - 1978-1984 (Bachelor's degree received) UTSA - Music Education - 1987-1988 (Bachelor's degree received) Texas State University - Music Education - 2001-2006 (Master's degree received)
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Ann Eckman Piano Studio
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Aledo, TX
 
Kal M.
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Paisley Street
Houston, TX
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Cello, Piano
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5 to 75
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Alfred, Bastien, Suzuki, Thompson Classical
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Univ of Vermont - Music Theory & Comp - 1982-1986 (Bachelor's degree received)
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Karen G.
(877) 231-8505
Sherwood. Dr.
Arlington, TX
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Piano
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4 to 99
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Classical, Praise Music, Pop/Rock, Some Blues and Jazz. I teach both how to play by ear and how to read sheet music.
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Texas Wesleyan University - Music - Aug. 2005-Aug.2009 (Bachelor's degree received)
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Digital Dimensions
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The Chord Doctor - Expand Your Chordal Command

by Clifford Carter

You hear that the government is contemplating another multi-billion dollar stimulus package. That’s an intimidating number I can’t even digest. A much kinder, gentler number is 12 — the number of notes in the chromatic scale. This month, we’ll scratch the surface of combining those notes into chord colors appropriate for different styles of music.

The chord chart for what I play could be the same for accompanying a number of different artists, but how I voice those chords may be radically different depending on the music. To illustrate that, Examples 1-5 present the same eight-bar chord progression in a variety of contexts — proof positive that the same chord can sound completely different depending on how you voice it. Example 6 gives you hands-on practice material to start expanding your chord comfort zone. The ultimate goal is that regardless of whatever curve the music throws you, you can choose your next voicing without overthinking.

One last thing: Notice the simple left hand parts in the bass clefs throughout. It’s good to practice more than one thing at a time, and you don’t want an idle hand. By playing a bass line, you give the right hand a musical context, while developing hand independence. You’re also working on your timing, and making what could be a somewhat tedious exercise a bit more fun and musical.

Click the sheet music thumbnails for super-size versions suitable for playing! Click the example headers for audio clips.

kb0210 Plat It Chord Doc 1 Ex. 1 - click for audio. Here’s an eight-bar progression I’d play on, say, the first verse of a Patti Scialfa song. It’s simple and sparse with not a lot of movement — a nice bed. All chords are either triads or four-note chords with one of the triad’s notes doubled. The exceptions are bars 3 and 6, where I’m just playing the root and fifth in each hand. Why? Because Nils Lofgren is next to me playing some fat, soulful chords unique to the guitar, and I want to get out of his harmonic space. By eliminating thirds at that moment, it avoids any clashes or unnecessary doubling.

0210 Play It Chord Doc 2 Ex. 2 - click for audio . I’d play in the second verse with more character and rhythmic action. By simply using the ninth of each chord, we get a new sound, moving the piano a little more to the forefront.

0210 Play It Chord Doc 3 Ex. 3 - click for audio . In this variation on Example 2, I add the fourth in addition to the ninth. It’s similar in style but adds new harmonic identity. This style of adding fourths and ninths (or “twos and fours”) is very guitar-like, and a signature sound of guitar bands like the Byrds and Tom Petty and the Heartbreakers. Many pianists have taken cues from guitar-oriented voicings when playing triad-based music. Listen to Elton John, Billy Joel, Matt Rollings, and the E Street Band’s Roy Bittan to get these new sounds into your hands and ears.

0210 Play It Chord Doc 4 Ex. 4 - click for audio. Here’s the same basic progression, played with a gospel or R&B style. I recently played in the Baltimor...

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