The Chord Doctor - Expand Your Chordal Command Bloomington IL

The chord chart for what I play could be the same for accompanying a number of different artists, but how I voice those chords may be radically different depending on the music. To illustrate that, Examples 1-5 present the same eight-bar chord progression in a variety of contexts — proof positive that the same chord can sound completely different depending on how you voice it.

Mark Miller
1058 Viewpoint Dr.
Lake In The Hills, IL
Instruments
Composition, Ear Training, Music Therapy, Piano, Theory
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Blues, Jazz, Rock - Alternative
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Advanced, Beginner, Intermediate
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$90
Years of Experience
26 Years

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Tessa H.
(877) 231-8505
South Street
Dundee, IL
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Cello, Music Theory, Piano
Ages Taught
5 to 99
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I teach in a slower method so everyone can understand the instrument. If the student wants to go faster, I have no problem with that. I teach for mostly cello in the classical style, but can also teach in other different styles. When it comes to genres the sky is the limit.
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Elgin Community College - Music Education - 2007-2010 (Associate degree received)
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TakeLessons Music Teacher

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Jeanne Slatkay
Carpenter Drive Near Palatine HS
Palatine, IL
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Ear Training, Horn, Piano, Theory
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Classical, Jazz, Kids, Other
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Beginner, Intermediate
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$40
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20+ Years

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Mick A.
(877) 231-8505
S. Michigan Avenue
Chicago, IL
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Guitar, Percussion, Piano, Acting, Bass Guitar, Speaking Voice, Music Theory, Singing, Music Recording, Drums, Music Performance, Songwriting
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5 to 99
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Formerly certified Zuzuki instructor, good with very young children Excellent with professional and serious adult students
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American Conservatory Of Music - piano - 1964-72 (not complete) City Colleges of Chicago - education - 1984-86 (not complete) U.of I. Chicago - music/English - 1972-76 (Bachelor's degree received)
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Kwanwoo L.
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W. St. James Pl.
Chicago, IL
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Piano
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Classical
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University of Illinois - Electrical Engineering - 2005-2009 (Bachelor's degree received)
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David B.
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N Washtenaw Ave
Chicago, IL
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Piano, Clarinet, Music Theory, Bass Guitar, Cello, Songwriting, Saxophone, Music Performance, Music Recording, Classical Guitar, Trumpet, Tuba, Guitar, French Horn, Upright Bass, Flute, Percussion, Trombone
Ages Taught
4 to 99
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I specialize in non-wind instruments, especially drums, percussion, bass guitar, piano and 6 string guitar. I consider myself extremely versatile with various styles and genres. I apply several teaching methods to reach as many kids as possible, with a focus on hands-on learning.
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DePaul University - Jazz Studies - 2010-2012 (not complete) University of Colorado at Boulder - Music Performance - 2003-2006 (Master's degree received) Ball State University - Music Education and Performance - 1998-2003 (Bachelor's degree received)
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Thomas W.
(877) 231-8505
South Halsted St
Chicago, IL
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Music Theory, Guitar, Piano
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5 to 99
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I am most well versed in jazz guitar and pop/blues guitar. I also have a strong background in classical piano and am a strong sight reader. I teach Music composition, music theory, beginning banjo, music performance, and music recording.
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Columbia College Chicago - Instrumental Performance - 2005-present (not complete)
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Yusef M.
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Sibley Blvd
Calumet City, IL
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Speaking Voice, Music Performance, Songwriting, Music Recording, Saxophone, Organ, Piano, Music Theory, Singing
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5 to 99
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Gospel Jazz Play by Ear
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University of Dayton - Psychology - 94-98 (Bachelor's degree received) Keller Graduate School - Business Administration - 02-04 (Master's degree received)
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Judy Lei
9500 S Avers
Evergreen Park, IL
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Cello, Guitar, Piano, Viola, Violin, Voice
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Classical, Kids, World
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Advanced, Beginner, Intermediate
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$50
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20+ Years

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Michael M.
(877) 231-8505
W Greenleaf Ave
Chicago, IL
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Music Performance, Flute, Music Theory, Oboe, Piano
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5 to 99
Specialties
Classical music.
Education
University of Iowa - Piano, Oboe, Composition - 1984-1988 (Bachelor's degree received) New England Conservatory - Oboe [but also played much piano] - 1989-1991 (Master's degree received) University of Iowa - Composition [also played much piano] - 1992-1994 (not complete)
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The Chord Doctor - Expand Your Chordal Command

by Clifford Carter

You hear that the government is contemplating another multi-billion dollar stimulus package. That’s an intimidating number I can’t even digest. A much kinder, gentler number is 12 — the number of notes in the chromatic scale. This month, we’ll scratch the surface of combining those notes into chord colors appropriate for different styles of music.

The chord chart for what I play could be the same for accompanying a number of different artists, but how I voice those chords may be radically different depending on the music. To illustrate that, Examples 1-5 present the same eight-bar chord progression in a variety of contexts — proof positive that the same chord can sound completely different depending on how you voice it. Example 6 gives you hands-on practice material to start expanding your chord comfort zone. The ultimate goal is that regardless of whatever curve the music throws you, you can choose your next voicing without overthinking.

One last thing: Notice the simple left hand parts in the bass clefs throughout. It’s good to practice more than one thing at a time, and you don’t want an idle hand. By playing a bass line, you give the right hand a musical context, while developing hand independence. You’re also working on your timing, and making what could be a somewhat tedious exercise a bit more fun and musical.

Click the sheet music thumbnails for super-size versions suitable for playing! Click the example headers for audio clips.

kb0210 Plat It Chord Doc 1 Ex. 1 - click for audio. Here’s an eight-bar progression I’d play on, say, the first verse of a Patti Scialfa song. It’s simple and sparse with not a lot of movement — a nice bed. All chords are either triads or four-note chords with one of the triad’s notes doubled. The exceptions are bars 3 and 6, where I’m just playing the root and fifth in each hand. Why? Because Nils Lofgren is next to me playing some fat, soulful chords unique to the guitar, and I want to get out of his harmonic space. By eliminating thirds at that moment, it avoids any clashes or unnecessary doubling.

0210 Play It Chord Doc 2 Ex. 2 - click for audio . I’d play in the second verse with more character and rhythmic action. By simply using the ninth of each chord, we get a new sound, moving the piano a little more to the forefront.

0210 Play It Chord Doc 3 Ex. 3 - click for audio . In this variation on Example 2, I add the fourth in addition to the ninth. It’s similar in style but adds new harmonic identity. This style of adding fourths and ninths (or “twos and fours”) is very guitar-like, and a signature sound of guitar bands like the Byrds and Tom Petty and the Heartbreakers. Many pianists have taken cues from guitar-oriented voicings when playing triad-based music. Listen to Elton John, Billy Joel, Matt Rollings, and the E Street Band’s Roy Bittan to get these new sounds into your hands and ears.

0210 Play It Chord Doc 4 Ex. 4 - click for audio. Here’s the same basic progression, played with a gospel or R&B style. I recently played in the Baltimor...

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