Dave Smith Instruments Prophet ’08 New Haven CT

When it comes to keyboards, the phrase “best of both worlds” is tossed around haphazardly. In the case of the Prophet ’08, it’s dead-on. Here’s why:

G Guitars
(203) 786-4734
153 East St
New Haven, CT

Data Provided by:
One Flight Up Guitars Llc
(203) 389-9400
63 Amity Rd
New Haven, CT
Types of Instruments Sold
Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Sam Ash Music Stores
(203) 389-0500
95 Amity Road
New Haven, CT
 
Guitar Center
(203) 799-0233
50 Boston Post Road
Orange, CT
 
Falcetti Music
(203) 795-9005
565 Boston Post Rd Route 1
Orange, CT
Types of Instruments Sold
Acoustic Piano, Digital Piano, Organs, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Dj Outlet
(203) 562-1900
1464 Ella T Grasso Blvd
New Haven, CT
Types of Instruments Sold
Recording Equipment

Data Provided by:
Wilhelm Gertz Piano
(203) 782-1006
Po Box 955
New Haven, CT
Types of Instruments Sold
Acoustic Piano, Print Music

Data Provided by:
New England Music Ctr Inc
(203) 239-5553
459 Washington Ave C
North Haven, CT
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

Data Provided by:
Goldie & Libero Music Center
(203) 239-2263
380 Washington Ave
North Haven, CT
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
Guitar Ctr
(203) 799-0233
50 Boston Post Rd
Orange, CT
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Data Provided by:

Dave Smith Instruments Prophet ’08

OVERVIEW

When it comes to keyboards, the phrase “best of both worlds” is tossed around haphazardly. In the case of the Prophet ’08, it’s dead-on. Here’s why:

The world the audio signal inhabits is purely analog. The oscillators rely on voltage, not samples or number-crunching, to generate their waveforms. The filters use analog Curtis chips, just like the Prophet-5. However, the Prophet ’08’s matrix modulation, tempo-synced LFOs, and the four-track step sequencer are from the digital world. Unlike Dave’s Evolver line, the ’08 has no digital conversion in the audio signal path, which the Evolvers require because they have digital oscillators alongside their analog ones, not to mention digital effects. The Prophet’s oscillators are digitally controlled, meaning that a microprocessor oversees their settings for stability, but that’s it. If a computer tells your front porch light to go on at 8 p.m., that doesn’t make light from the bulb “computer-generated” either.

The ’08’s sound engine consists of two oscillators, a fully resonant filter (with FM input from the oscillator section), voltage controlled amplifier, four LFOs, three envelopes, and a four-way matrix modulation section for additional routing. Now, take the above voice architecture and double it, because you can do splits and layers within a single preset. So, every sound can have up to four oscillators, two filters, and so forth, right out of the gate. Tranceheads can (and will) take this to extremes, whipping up 16-oscillator mega-leads by simply pressing the Unison button.

You access the second sound by pressing the Edit Layer B button. If neither splitting nor layering is active, this button simply switches between two sounds, turning one patch into two. When both layers are active, you only get four notes of polyphony, and with splits, voices are not dynamically allocated; you simply get four voices for each part. It’s doubtful you’ll need more — when dealing with analog sound that’s this fat, the rules are different. Heck, some modern analog synths have one voice, and nobody complains.

To top it all off, you can route layer B to the Prophet’s secondary stereo outputs, letting you run a preset’s two sounds through different outboard mixer channels and effects. In fact, you’ll need outboard gear to add effects such as delay or reverb. While this seems stingy if you’re used to the extensive effects menus in today’s digital keyboards, it’s a purist design choice here: Building in these effects would have meant converting the sound to digital, then back to analog as it hit the outputs.

OSCILLATORS

Each oscillator has four waveforms: sawtooth, triangle, saw/triangle hybrid, and adjustable pulse width, which can be used for everything from reedy sounds to bold square waves. The saw/triangle is a nice touch, as it has more body and less fizz than a regular saw, making it good for blending low end beef into a sound when the filter’s cutoff is wide open. If you want more highs, the ...

Click here to read the rest of the article from Keyboard Magazine

 
Subscribe Live Bookmarks Advertise Contact Us Privacy Policy Terms & Conditions
 



 
Keybord Magazine is a trademark of New Bay Media, LLC. All material published on www.keyboardmag.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved