Guitar Amp Simulators In Keyboard? West Hartford CT

You heard right, Amp simulation software is not just for guitars. Amp simulators are generally loaded with effects, amps, and cabinets. Read on for details

Music & Arts #73
(860) 231-9532
989 Farmington Ave
West Hartford, CT
Music & Arts
(860) 568-0692
42 Main Street
East Hartford, CT
Guitar Center Manchester
(860) 648-3900
120-B Hale Rd.
Manchester, CT
Store Information
Mon-Fri: 11-9
Sat: 10-8
Sun: 12-6

Daddy'S Junky Music
(203) 757-9860
625 Wolcott St
Waterbury, CT
Rayburn Music Co
(860) 953-8846
19 Andover Dr
West Hartford, CT
Music & Arts
(860) 231-9562
989 Farmington Avenue
West Hartford, CT
Music & Arts
(860) 676-0048
Nod Brook Mall, 315 W. Main St
Avon, CT
Music & Arts
(860) 648-9178
The Center at Vernon Circle, 378 Kelly Road
Vernon, CT
J & L Music Llc Dba Joe'S Guitar
(203) 269-0820
1070 N Colony Rd
Wallingford, CT
Barnes & Noble Booksellers
(860) 236-9900
40 S Main St
Hartford, CT

Guitar Amp Simulators In Keyboard?

You heard right. Amp simulation software is not just for guitars. Amp simulators are generally loaded with effects, amps, and cabinets (translation: really cool distortion, EQ, and filtering), the occasional useful utility, and mucho MIDI control.

In fact, an amp simulator might be the most cost-effective package of effects you’ll find anywhere. It doesn’t matter if you play keyboards, sing, use drum machines, or for that matter, also play guitar;amp sims are one of the better-kept secrets for keyboard players. Read this article, and it won’t be a secret any more.


If you think you’re getting an amp simulator (or sim) just for when your guitar player comes over and wants to lay down some tracks, think again. A lot of guitarists are happy only with their particular setup; they might be able to cope if the only way you’re going to get down tracks is to use a sim — due to noise issues with your neighbors or unavailability of an amp, for example. Frankly, though, this article has less to do with using these packages exclusively with guitar, and more to do with giving you new sonic dimensions.

I double on guitar and keyboards, and my guitar side is thrilled be able to process my guitar in new ways. The part of me that loves synths gets a real kick out of putting them through the equivalent of guitar pedals and cabinets — those of you who’ve run a Minimoog through a Marshall stack know exactly what I’m talking about. Those of you who haven’t are about to discover a whole new array of sounds.


Guitar amps are extremely complex signal processors, so emulating them requires some pretty CPU-hungry software. The faster your computer is, the happier you’ll be. Second, there’s latency. Guitarists are very critical of any latency, because they’re used to hitting strings and hearing sounds immediately. But ever since digitally-scanned keyboards (how pretty much all keyboards work these days), we keyboardists have gotten used to hearing notes a millisecond or two after we play them. Fortunately, thanks to ever-more-powerful computers, within the past few years it’s become possible to play amp sims without feeling any disconnect.

Finally, you’ll need to tweak presets. This isn’t just because you’re playing keyboard instead of guitar; even guitarists need to tweak presets, because a given preset might have been developed using a different type of guitar, with a different type of pickup, than the current user is playing. There may be compression you don’t need, put there to help guitarists achieve the sustain that keyboards do inherently. The gain may be set to drive the software with a guitar, which is a lot higher than you’ll need for a synth. So, you may have to “keyboardize” some presets.

Here are some suggested tweaks:

  • Pull down the drive or gain control a bit. 
  • Bypass any compression in the signal path unless you really need it. Limiting at the output, however, may be useful for contro...

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