Master Class-Stride Piano Buffalo NY

Nothing strikes fear into the hearts of piano players like the mention of stride piano. This seemingly impossible old style is like ragtime on steroids, and pushes jazz pianists to the limit.

Melissa D.
(877) 231-8505
W 73rd St.
New York, NY
Subjects
Violin, Music Performance, Singing, Classical Guitar, Piano, Fiddle, Guitar, Songwriting, Mandolin, Music Theory
Ages Taught
4 to 40
Specialties
Violin- Suzuki Method and supplemental scale & theory books.. also supplemental pieces based on student's interest and goals Piano- Alfred's Basic Piano Method: Lesson book, Theory book, Ear Training.. as well as supplemental theory books, and supplemental pieces based on student's level of ability and goals Guitar- Mel Bay's Modern Guitar Method (for classical guitar and note reading on a guitar), chord sheets, pieces either charted out or written out by me. Again, also, supplemental music t…
Education
Liberty University - Music & Worship Arts - 2002-2005 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Michael S.
(877) 231-8505
E 3 St
New York, NY
Subjects
Music Theory, Banjo, Bass Guitar, Guitar, Ukulele, Harmonica, Piano, Mandolin, Singing, Music Performance, Songwriting, Music Recording, Speaking Voice
Ages Taught
5 to 99
Specialties
I have extensive experience in a wide variety of styles. These include classical, jazz, country, various ethnic, rock, and pop styles.
Education
St John's Prep - General - 1967-1971 (not complete) Queensborough Community College - Music - 1974-1976 (not complete) Empire State College - Music & Education - 1994-1996 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Adam K.
(877) 231-8505
Tiemann Pl.
New York, NY
Subjects
Songwriting, Music Performance, Music Theory, Piano
Ages Taught
5 to 50
Specialties
I specialize in teaching jazz/pop/rock/improvisation. I can teach beginner/intermediate classical piano lessons as well. I teach composition/theory/ear training for all instruments.
Education
Manhattan School of Music - Jazz Piano Performance - Fall 2007-Spring 2011 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
J. David W.
(877) 231-8505
South Oxford Street
Brooklyn, NY
Subjects
Singing, Organ, Music Theory, Opera Voice, Music Performance, Piano
Ages Taught
5 to 99
Specialties
All, but adept at teaching improvisation
Education
Cincinnati College-Conservatory of Music - 1982 - 1980 (Bachelor's degree received) The Juilliard School - 1984 - 1982 (Master's degree received) The Manhattan School of Music - 1989 - 1986 (Degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Nino M.
(877) 231-8505
101 street
Richmond Hill, NY
Subjects
Music Theory, Singing, Piano, Music Performance
Ages Taught
5 to 95
Specialties
classical music, popular songs for kids
Education
GIPA - Education Administration - 2002-03 (Master's degree received) Gori Music College - Music, piano - 1990-94 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Doran D.
(877) 231-8505
Provost St
Brooklyn, NY
Subjects
Music Theory, Piano, Singing, Music Performance, Songwriting, Music Recording
Ages Taught
3 to 99
Specialties
Piano Pedagogy: Classical, Jazz, Blues, Modern, etc, Music Theory Music History: All Levels (High School - Masters degree) Basic Musicianship: Ear-Training, Rhythmic Training, Harmonic, Melodic Theory Composition: Classical, Contemporary, Jazz composition, arrangement, notation
Education
New York University - Music Composition, Music Theory - Sept. 2007 - May 2009 (Master's degree received) Columbia Univeristy - Music Composition, Music Theory - Sept. 2006 - May 2007 (Bachelor's degree received) Kenyon College - Music Theory, Piano Performance, English - Sept. 1999- May 2003 (Bachelor's degree received) Harvard-Westlake School - - 1995-1999 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Suzanne D. Grant
444 W. 46th Street 1C
New York, NY
Instruments
Chorus, Piano, Voice
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
16 Years

Data Provided by:
John L.
(877) 231-8505
E 28th St.
New York, NY
Subjects
Bass Guitar, Piano, Upright Bass, Ukulele, Guitar, Music Recording
Ages Taught
6 to 99
Specialties
I have been lucky to play tons of different types of music. I believe I can give musicians and aspiring musicians a deep understanding of what is most important in many different styles of music. Music I have been lucky enough to study and play professionally: Jazz, Rock, Funk, Afro-Cuban, Brazilian, Blues, Classical, Pop. I'm also a very good transcriber, so if there is a song you heard on the radio we can definitely play it! Ear training could be an area in which I could be of service to yo…
Education
Grove School Of Music - Bass - 1990-1991 (Degree received) San Diego State - Jazz Performance - 1992-1995 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Dave L.
(877) 231-8505
Post Road
Bronx, NY
Subjects
Music Theory, Trombone, Piano, Singing, Music Performance, Songwriting, Music Recording
Ages Taught
5 to 75
Specialties
Using terminology that gets the message across to each student. Every one of them are different. It may take a while to figure them out but when you do things start to come together.
Education
Manhattan School of Music - Music - 9/94-5/96 (Master's degree received) Manhattan School of Music - Music - 9/88-5/93 (Bachelor's degree received) Laguardia H.S of the Arts - Music - 9/85-6/88 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Clementa Cazan German
641 Lowell Street
Westbury, NY
Instruments
Other, Piano
Styles
Classical, Kids, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$75
Years of Experience
25 Years

Data Provided by:
Data Provided by:

Master Class-Stride Piano

Nothing strikes fear into the hearts of piano players like the mention of stride piano. This seemingly impossible old style is like ragtime on steroids, and pushes jazz pianists to the limit. The left hand alternates a low bass, frequently played in tenths, with close position mid range chords, while the right hand provides melody, syncopations, lines, and runs. The total effect is a relentless, locked-downswing eighth-note feel.

Even if you can’t invest the hours necessary to master stride, studying its fundamentals will increase your harmonic language skills and center your time feel.Plus, there’s nothing wrong with gaining an appreciation of an almost-lost art that has inspired everyone from Duke Ellington, ArtTatum, and Oscar Peterson to Dick Hyman,Marcus Roberts, Kenny Werner, and Bill Charlap. Beyond the flash and the bluster of stride is a deep awareness of song structure, chord voicing, root movement and harmony, and most of all, swing.

Ex. 1. When playing stride, your left hand is the rhythm section, and it never lets up. Practice getting used to the motion of your left arm, aiming low with your fifth finger to hit the bass note, then moving quickly to the middle register to grab a chord. In example 1a, the chords move from I to V7, F to C7, using an alternating bass note on beats 1 and 3. One trick: Start the V7 (C7) on the fifth (G) of the chord instead of the root. This way you don’t have to repeat a note (C). Make your bass line more melodic in 1b by starting the F6 on the third (A) in the second measure, then move down to the V7 through a passing diminished chord (Abdim7). Since you start the V7on the fifth (G), substitute Gm7 and make a ii7-V7. Upstairs, notice the chord voicings in the last two measures. The top notes in each chord create a nice melody — D, E,D, C — and you can use your thumb to bring these out. Click here for audio.

Click sheet music images to open larger versions in a new tab or window.

0.KB0909_Lesson_Stride_Ex-01.jpg

 Ex. 2. Most of the great stride players like James P. Johnson, Fats Waller, Earl "Fatha" Hines, and Art Tatum played tenths in the left hand, and sometimes added a third note with the second or third finger. The top thumb note adds a tenor voice and a rich counter-line; the effect is harmonically dense and exponentially more difficult to play.Give it a shot but don’t push it. Click here for audio.

0.KB0909_Lesson_Stride_Ex-02.jpg

Ex. 3. Try the same constructions show in Example 2 with two hands, to make things a bit simpler. It’s not cheating to break up the tenth and, at fast tempos, this is an effective technique. Here is a complete eighth-bar A-section with a turnaround, using the passing diminished and ii7-V7. Click here for audio.

0.KB0909_Lesson_Stride_Ex-03.jpg

Ex. 4. If you can handle tenths, here’s how it’s done. Notice the embellishing pickup at the end of bar 4 — E to F. Click here for audio.

0.KB0909_Lesson_Stride_Ex-04.jpg

Ex. 5. The right hand in stride is based on swing eighth-note lines, usually built on broken-up chord tones. Practice this example with simple chords in the left hand and get used ...

Click here to read the rest of the article from Keyboard Magazine

 
Subscribe Live Bookmarks Advertise Contact Us Privacy Policy Terms & Conditions
 



 
Keybord Magazine is a trademark of New Bay Media, LLC. All material published on www.keyboardmag.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved