Master Class-Stride Piano Kissimmee FL

Nothing strikes fear into the hearts of piano players like the mention of stride piano. This seemingly impossible old style is like ragtime on steroids, and pushes jazz pianists to the limit.

Bonnie P.
(877) 231-8505
Donnelly Circle
Orlando, FL
Subjects
Oboe, Piano
Ages Taught
1 to 25
Specialties
Pop, Rock, Classical
Education
Dunedin High School - - 1973-1975 (degree received) University of South Florida - Music - 1976-1979 (degree received) University of Michigan - Music - 1979-1980 (degree received)
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TakeLessons Music Teacher

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Lorraine M.
(877) 231-8505
Gulf stream circle
Brandon, FL
Subjects
Singing, Classical Guitar, Piano, Guitar, Music Theory
Ages Taught
1 to 18
Education
Barry University - Music - 8/25/2005-12/19/2009 (Bachelor's degree received) Barry University - Biology - 8/25/2005-12/19/2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Nicole C.
(877) 231-8505
drew st
Clearwater, FL
Subjects
Guitar, Drums, Songwriting, Bass Guitar, Piano, Singing, Music Performance, Percussion
Ages Taught
5 to 99
Specialties
I have taught mostly rock and classical genres for piano, guitar, drums. Vocally, I teach Rnb, broadway, pop,, top 100.
Education
SUNY Old Westbury - Elementary Education - 1/00-5/03 (Bachelor's degree received) Dowling University - Literacy Education - 9/04-1/06 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

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Andrew B.
(877) 231-8505
Cascades Park Trail Deland, FL
Deland, FL
Subjects
Music Theory, Guitar, Drums, Piano
Ages Taught
13 to 70
Specialties
Visualization method of practicing guitar: classical style, rock style, contemporary christian song style.
Education
Stetson University - Music Composition - 2008-2010 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Rebecca S.
(877) 231-8505
SW 60 CT
Miami, FL
Subjects
Piano, Flute
Ages Taught
1 to 99
Specialties
Classical
Education
Grove City College - Music - Flute - Jan 2007-May 2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Dee L.
(877) 231-8505
Addison Drive
Kissimmee, FL
Subjects
Piano, Organ
Ages Taught
7 to 75
Specialties
Methods haven't changed over the decades - I teach traditionally including the basics along with music theory.
Education
Bridgewater College - Music Education - (Bachelor's degree received) Rollins College - Education & Teaching - (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

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Rene R.
(877) 231-8505
sw 36th ave.
Miami, FL
Subjects
Guitar, Singing, Bass Guitar, Flamenco Guitar, Music Theory, Classical Guitar, Cello, Upright Bass, Piano, Songwriting, Music Performance, Drums, Music Recording
Ages Taught
5 to 99
Specialties
My classical training began in High School with Influences in Segovia, and Romero I studied classical for 4 yrs. and trained in Jazz and Improvisation with performances In Big Band and group ensemble. Also sang and played in the school gospel choir.
Education
Miami-Dade College - Music Education - 2004-2006 (Degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jill H.
(877) 231-8505
Punta Gorda Circle
Winter Springs, FL
Subjects
Accordion, Music Theory, Theatrical Broadway Singing, Banjo, Opera Voice, Trumpet, Bass Guitar, Percussion, Ukulele, Harmonica, Piano, Clarinet, Classical Guitar, Singing, Violin, Music Performance, Songwriting, Drums, Music Recording, Speaking Voice, Guitar
Ages Taught
4 to 99
Specialties
My specialty in voice comes from years of lessons and experience. I used many methods and books to bring out various ideas on how to teach voice lessons. I take each individual at his/her level and try to improve breathing technique, posture, enunciation with style and phrasing, depending on the student's aspirations.
Education
Charleston HIgh School - academic diploma - 1971-75 (High School diploma received) Evangel College - music education - 1975-79 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Natalie H.
(877) 231-8505
Magnolia Lane
Yalaha, FL
Subjects
Piano, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
Piano - Classical Style and Methods
Education
Elmhurst College - Music/Music Business - 1991-1997 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Alexandra L.
(877) 231-8505
The Foster Building
Miami, FL
Subjects
Piano, Dance, Music Performance, Singing, Speaking Voice, Music Theory, Theatrical Broadway Singing, Opera Voice, Acting
Ages Taught
5 to 99
Specialties
I specialize in teaching voice to both musical theatre and classically trained voice students. I am also trained in staging musical theatre and opera songs.
Education
University of Miami - - 2007-present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Master Class-Stride Piano

Nothing strikes fear into the hearts of piano players like the mention of stride piano. This seemingly impossible old style is like ragtime on steroids, and pushes jazz pianists to the limit. The left hand alternates a low bass, frequently played in tenths, with close position mid range chords, while the right hand provides melody, syncopations, lines, and runs. The total effect is a relentless, locked-downswing eighth-note feel.

Even if you can’t invest the hours necessary to master stride, studying its fundamentals will increase your harmonic language skills and center your time feel.Plus, there’s nothing wrong with gaining an appreciation of an almost-lost art that has inspired everyone from Duke Ellington, ArtTatum, and Oscar Peterson to Dick Hyman,Marcus Roberts, Kenny Werner, and Bill Charlap. Beyond the flash and the bluster of stride is a deep awareness of song structure, chord voicing, root movement and harmony, and most of all, swing.

Ex. 1. When playing stride, your left hand is the rhythm section, and it never lets up. Practice getting used to the motion of your left arm, aiming low with your fifth finger to hit the bass note, then moving quickly to the middle register to grab a chord. In example 1a, the chords move from I to V7, F to C7, using an alternating bass note on beats 1 and 3. One trick: Start the V7 (C7) on the fifth (G) of the chord instead of the root. This way you don’t have to repeat a note (C). Make your bass line more melodic in 1b by starting the F6 on the third (A) in the second measure, then move down to the V7 through a passing diminished chord (Abdim7). Since you start the V7on the fifth (G), substitute Gm7 and make a ii7-V7. Upstairs, notice the chord voicings in the last two measures. The top notes in each chord create a nice melody — D, E,D, C — and you can use your thumb to bring these out. Click here for audio.

Click sheet music images to open larger versions in a new tab or window.

0.KB0909_Lesson_Stride_Ex-01.jpg

 Ex. 2. Most of the great stride players like James P. Johnson, Fats Waller, Earl "Fatha" Hines, and Art Tatum played tenths in the left hand, and sometimes added a third note with the second or third finger. The top thumb note adds a tenor voice and a rich counter-line; the effect is harmonically dense and exponentially more difficult to play.Give it a shot but don’t push it. Click here for audio.

0.KB0909_Lesson_Stride_Ex-02.jpg

Ex. 3. Try the same constructions show in Example 2 with two hands, to make things a bit simpler. It’s not cheating to break up the tenth and, at fast tempos, this is an effective technique. Here is a complete eighth-bar A-section with a turnaround, using the passing diminished and ii7-V7. Click here for audio.

0.KB0909_Lesson_Stride_Ex-03.jpg

Ex. 4. If you can handle tenths, here’s how it’s done. Notice the embellishing pickup at the end of bar 4 — E to F. Click here for audio.

0.KB0909_Lesson_Stride_Ex-04.jpg

Ex. 5. The right hand in stride is based on swing eighth-note lines, usually built on broken-up chord tones. Practice this example with simple chords in the left hand and get used ...

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