Master Class-Stride Piano Stamford CT

Nothing strikes fear into the hearts of piano players like the mention of stride piano. This seemingly impossible old style is like ragtime on steroids, and pushes jazz pianists to the limit.

Janet P.
(877) 231-8505
Hommocks Rd
Larchmont, NY
Subjects
Piano
Ages Taught
5 to 99
Specialties
I use many different methods depending on the student's individual needs. However, I do tend to favor the Alfred's piano method because over the years it has been very popular with students,
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TakeLessons Music Teacher

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Laurie K.
(877) 231-8505
Pulaski Rd
Greenlawn, NY
Subjects
Violin, Piano
Ages Taught
6 to 55
Specialties
I teach a basic reading of notes and the chord method also.
Education
Lawrence HS - 1974 (High School diploma received) Shorter College - Piano Performance - 1974-79 (Bachelor's degree received)
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TakeLessons Music Teacher

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Elina Christova
476 Stillson Road
Fairfield, CT
Instruments
Ear Training, Piano, Theory
Styles
Classical
Experience Levels
Advanced, Beginner, Intermediate
Rate
$120
Years of Experience
10 Years

Data Provided by:
Zoe Vandermeer
CT Studio at 15 Riverview Rd. midtown studio in New York City
Gaylordsville, CT
Instruments
Audio Recording, Chorus, Composition, Ear Training, Early Music, Harp, Piano, Theory, Voice
Styles
Classical, Folk - Country - Bluegrass, Kids, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
20 Years

Data Provided by:
Guitar Society the
(203) 329-0042
3081 High Ridge Rd
Stamford, CT
 
Elina Christova
476 Stillson Road
Fairfield, CT
Instruments
Ear Training, Piano, Theory
Styles
Classical
Experience Levels
Advanced, Beginner, Intermediate
Rate
$120
Years of Experience
10 Years

Data Provided by:
Mike L.
(877) 231-8505
Odell Place
New Rochelle, NY
Subjects
Music Theory, Cello, Music Recording, Music Performance, Guitar, Piano
Ages Taught
8 to 99
Specialties
Cello - Classical, Improvisational Rock/Metal & Jazz Training/Experience. Piano - Classical, Improvisation. Guitar - Rock/Metal, Improvisation.
Education
Manhattanville College - Music/Psychology - 2005-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Julie H.
(877) 231-8505
College Street
New Haven, CT
Subjects
Music Performance, Piano, Songwriting, Theatrical Broadway Singing, Singing, Music Theory
Ages Taught
5 to 99
Specialties
Julie specializes in teaching musical theatre, classical, pop/ rock jazz/ blues, and improvisation styles of voice. Her style of piano pedagogy is a combination of classical study and whatever popular style the student is interested in. In addition, she tutors in jazz and classical music theory/ analysis, and she can help students prepare for AP Music Theory exams. As a composer, she enjoys helping songwriters mold their style, and she works a lot with songwriters within the indie/ pop/ rock/…
Education
Berklee College of Music - Classical Composition - 09/2009-05/2010
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Harry Neumann
24 Marie Street
Plainfield, CT
Instruments
Guitar, Piano
Styles
Blues, Classical, Electronic, Kids, Rock - Alternative
Experience Levels
Beginner
Rate
$20
Years of Experience
5 Years

Data Provided by:
Leonetti Rudy Guitar Studio
(203) 327-4353
87 Saint Charles Ave
Stamford, CT
 
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Master Class-Stride Piano

Nothing strikes fear into the hearts of piano players like the mention of stride piano. This seemingly impossible old style is like ragtime on steroids, and pushes jazz pianists to the limit. The left hand alternates a low bass, frequently played in tenths, with close position mid range chords, while the right hand provides melody, syncopations, lines, and runs. The total effect is a relentless, locked-downswing eighth-note feel.

Even if you can’t invest the hours necessary to master stride, studying its fundamentals will increase your harmonic language skills and center your time feel.Plus, there’s nothing wrong with gaining an appreciation of an almost-lost art that has inspired everyone from Duke Ellington, ArtTatum, and Oscar Peterson to Dick Hyman,Marcus Roberts, Kenny Werner, and Bill Charlap. Beyond the flash and the bluster of stride is a deep awareness of song structure, chord voicing, root movement and harmony, and most of all, swing.

Ex. 1. When playing stride, your left hand is the rhythm section, and it never lets up. Practice getting used to the motion of your left arm, aiming low with your fifth finger to hit the bass note, then moving quickly to the middle register to grab a chord. In example 1a, the chords move from I to V7, F to C7, using an alternating bass note on beats 1 and 3. One trick: Start the V7 (C7) on the fifth (G) of the chord instead of the root. This way you don’t have to repeat a note (C). Make your bass line more melodic in 1b by starting the F6 on the third (A) in the second measure, then move down to the V7 through a passing diminished chord (Abdim7). Since you start the V7on the fifth (G), substitute Gm7 and make a ii7-V7. Upstairs, notice the chord voicings in the last two measures. The top notes in each chord create a nice melody — D, E,D, C — and you can use your thumb to bring these out. Click here for audio.

Click sheet music images to open larger versions in a new tab or window.

0.KB0909_Lesson_Stride_Ex-01.jpg

 Ex. 2. Most of the great stride players like James P. Johnson, Fats Waller, Earl "Fatha" Hines, and Art Tatum played tenths in the left hand, and sometimes added a third note with the second or third finger. The top thumb note adds a tenor voice and a rich counter-line; the effect is harmonically dense and exponentially more difficult to play.Give it a shot but don’t push it. Click here for audio.

0.KB0909_Lesson_Stride_Ex-02.jpg

Ex. 3. Try the same constructions show in Example 2 with two hands, to make things a bit simpler. It’s not cheating to break up the tenth and, at fast tempos, this is an effective technique. Here is a complete eighth-bar A-section with a turnaround, using the passing diminished and ii7-V7. Click here for audio.

0.KB0909_Lesson_Stride_Ex-03.jpg

Ex. 4. If you can handle tenths, here’s how it’s done. Notice the embellishing pickup at the end of bar 4 — E to F. Click here for audio.

0.KB0909_Lesson_Stride_Ex-04.jpg

Ex. 5. The right hand in stride is based on swing eighth-note lines, usually built on broken-up chord tones. Practice this example with simple chords in the left hand and get used ...

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