Steinberg CC121 Pueblo CO

A single-fader motorized control surface for Cubase.The CC121 is tailored specifically to work with Cubase 4.5 or 5, it doesn’t control send levels, for example,but it speeds up the process of crafting a multitrack audio mix.

Elledge Music Inc
(719) 545-2617
518 W Northern Ave
Pueblo, CO

Data Provided by:
Mountain States Musical
(719) 543-3460
311 E Abriendo Ave
Pueblo, CO
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

Data Provided by:
Deherrera Sound
(719) 546-1212
3311 Brookfield Ln
Pueblo, CO
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Elledge Music Inc.
(719) 545-2617
518 W Northern Ave
Pueblo, CO
 
Drum Shop
(303) 402-0122
2065 30Th St
Boulder, CO
Types of Instruments Sold
Drums & Percussion

Data Provided by:
Marck Time Music
(719) 564-9548
2318 Jones Ave
Pueblo, CO
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
Howes Bros Piano Co
(719) 542-8404
2541 Santa Fe Dr
Pueblo, CO
Types of Instruments Sold
Acoustic Piano

Data Provided by:
Axe Haven Music
(719) 543-5305
931 US Highway 50, Pueblo G West
Pueblo, CO
 
Guitarville
(303) 722-1795
1875 S Broadway
Denver, CO
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Denver School Of Music
(303) 420-7952
5275 Marshall St
Arvada, CO
Types of Instruments Sold
Print Music

Data Provided by:
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Steinberg CC121

Hands-On Control for Cubase

0809 Steinberg CC 121 Web Res

Click above for larger image. The CC 121 provides a hefty assortment of dedicated controls (left and center areas) and a few assignable ones (on the right). It measures about 11-1/4" wide by 7" deep.

PROS

Motorized fader. Dedicated Cubase EQ knobs. Jog wheel can also control most recent moused-over parameter.

CONS

No way to lock channel select buttons primarily to mixer window instead of track window.

INFO

$549 list/approx. $430 street,
steinberg.net

NEED TO KNOW

What is it? A single-fader motorized control surface for Cubase.

Does it mean you’ll never have to touch the mouse? No — it doesn’t control send levels, for example. But it speeds up the process of crafting a multitrack audio mix.

Is it USB-powered? Everything works, but the fader won’t be motorized. For that, you need to plug in the included wall-wart AC adapter.

Cubase users who can’t afford (or don’t have room for) an eight-fader motorized control surface may find the new CC121 an ideal compromise: plenty of control, but a small footprint, both on the desktop and on the credit card. Need an even smaller footprint? Steinberg recently announced the release of iC, a free iPhone/iPod Touch app that wirelessly controls Cubase. Still, the CC121 does a heck of a lot more.

The CC121 is tailored specifically to work with Cubase 4.5 or 5 ( click here for our full review from the August 2009 issue). On its left side are a fader with a 100mm throw, a pan pot, eight command buttons, and left/right arrow buttons for selecting channels. The command buttons do the most useful things: mute, solo, input monitor, arm record, automation read and write on/off, channel strip edit box open/close, and virtual instrument panel open/close.

In the middle are eight transport buttons, matching the onscreen transport. Above these are dedicated EQ buttons and knobs. Each of the four EQ sections in a Cubase mixer channel can be switched on or off from the CC121, and each of the four sections gets its own gain, frequency, and Q (bandwidth) knobs. When the EQ Type button is lit, the gain knob selects the type of EQ.

My only real issue is that I was hoping the channel select buttons would duplicate the left/right arrow keys on my QWERTY keyboard, which step through channels in the mixer window. At this time, they duplicate the up/down keys, which step through tracks in the track window. If you don’t have any automation lanes open, that amounts to the same thing. If any are open, the channel select buttons step through these before reaching the next audio, MIDI, or instrument track. If you’re on an automation track, the dedicated EQ knobs remain active for the most recently selected mixer channel — even when that channel is not selected in the mixer window. That can be confusing at a glance, though it does let you adjust a track’s EQ and work on its automation at the same time. To make the channel select buttons track the mixer, you’d set up a key co...

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