Ten Minute Technique - Warming Up Under the Gun Brooklyn NY

Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, finding time to practice is difficult for all of us, here are some exercises, each of which focuses on a different element of playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine.

Veronica G.
(877) 231-8505
Rogers Ave
Brooklyn, NY
Subjects
Piano, Singing, Songwriting, Music Theory
Ages Taught
4 to 99
Specialties
Piano and Vocals: beg to adv Jazz and contemporary music specialization
Education
Northern Virginia Community College - Music - 1998-2000 (Associate degree received) Berklee College of Music - Music - 2000-2005 (Bachelor's degree received) University of North Texas - Music - 2006-2009 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

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Arianna B.
(877) 231-8505
Dean Street
Brooklyn, NY
Subjects
Music Recording, Drums, Piano, Percussion
Ages Taught
5 to 99
Specialties
Beginning-Intermediate classical and jazz piano. West African percussion (djembe, djun djun, shakere, claves, etc) Latin Percussin (congas, bongos, guiro, etc), and kit drums (jazz/funk/rock)
Education
Sarah Lawrence College - Jazz Piano/Percussion - 2004-2008 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Brian M.
(877) 231-8505
Clarkson Ave.,
Brooklyn, NY
Subjects
Clarinet, Theatrical Broadway Singing, Music Performance, Music Theory, Opera Voice, Piano
Ages Taught
6 to 99
Specialties
Will discuss at interview.
Education
San Francisco Conservatory of Music - Composition - 9/04-5/06 (Master's degree received) Berklee College of Music - Composition/Film Scoring - 9/99-5/02 (Bachelor's degree received) Boston University - Psychology - 9/94-8/98 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Doran D.
(877) 231-8505
St Marks Pl
Brooklyn, NY
Subjects
Music Recording, Piano, Music Theory, Singing, Music Performance, Songwriting
Ages Taught
3 to 99
Specialties
Piano Pedagogy: Classical, Jazz, Blues, Modern, etc, Music Theory Music History: All Levels (High School - Masters degree) Basic Musicianship: Ear-Training, Rhythmic Training, Harmonic, Melodic Theory Composition: Classical, Contemporary, Jazz composition, arrangement, notation
Education
New York University - Music Composition, Music Theory - Sept. 2007 - May 2009 (Master's degree received) Columbia Univeristy - Music Composition, Music Theory - Sept. 2006 - May 2007 (Bachelor's degree received) Kenyon College - Music Theory, Piano Performance, English - Sept. 1999- May 2003 (Bachelor's degree received) Harvard-Westlake School - - 1995-1999 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
David Phillips
1453 Prospect Place 1G
Brooklyn, NY
Instruments
Composition, Conducting, Ear Training, Music Therapy, Musicology, Piano, Theory
Styles
Classical, Jazz
Experience Levels
Advanced, Beginner, Intermediate
Rate
$200
Years of Experience
35 Years

Data Provided by:
Matt James
1363 Union Street
Brooklyn, NY
Instruments
Guitar, Piano
Styles
Kids
Experience Levels
Beginner
Rate
$25
Years of Experience
17 Years

Data Provided by:
Alex G.
(877) 231-8505
East 4th St
Brooklyn, NY
Subjects
Music Theory, Bass Guitar, Piano, Upright Bass, Music Performance, Music Recording
Ages Taught
5 to 45
Specialties
My specialty is Electric Bass and Upright Bass. I teach and have performed professionally, a variety musical styles with special interests in Jazz, Funk, R&B, Pop, Rock, Latin, and Classical. I work out of the Simandl Method For The Double Bass Books 1&2. For electric bass i use a variety of Berklee Press Bass books. Aside from bass, I play piano very well and teach out of the Berklee Press Basic Keyboard 1&2 Books. For music production I have hands on digital audio workstation assignments fo…
Education
University of New Hampshire - Economics - Sept 1 1996-May 15 2000 (Bachelor's degree received) Berklee College of Music - Contemporary Writing and Production - Jan 3, 2003- Dec 15 2005 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
J. David W.
(877) 231-8505
South Oxford Street
Brooklyn, NY
Subjects
Singing, Organ, Music Theory, Opera Voice, Music Performance, Piano
Ages Taught
5 to 99
Specialties
All, but adept at teaching improvisation
Education
Cincinnati College-Conservatory of Music - 1982 - 1980 (Bachelor's degree received) The Juilliard School - 1984 - 1982 (Master's degree received) The Manhattan School of Music - 1989 - 1986 (Degree received)
Membership Organizations
TakeLessons Music Teacher

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Cal S.
(877) 231-8505
Beverley Rd.
Brooklyn, NY
Subjects
Music Performance, Bass Guitar, Songwriting, Piano, Guitar, Music Theory
Ages Taught
5 to 99
Specialties
Guitar, Bass, Piano, Songwriting, Performance, Music Theory, Rock, Pop, Country, Blues, R&B, Jazz, Funk, Classical, Folk
Education
The New School - Liberal Arts/Music - Jan 2010-present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jennifer K.
(877) 231-8505
Hancock St
Brooklyn, NY
Subjects
Guitar, Music Performance, Piano, Music Theory, Songwriting, Speaking Voice
Ages Taught
5 to 99
Specialties
When teaching piano, because I specialize in classical, I emphasize sight-reading, theory and performance from the very first lesson. As soon as possible, I have student memorize pieces appropriate to their level. I begin each lesson with memory work, move into sight-reading and analysis of the new work, or exercise. This way a student has a multi-faceted approach to music they are learning, and once they have learned it, they are continually adding to their repertoire. I work this way becaus…
Education
Williams College - Music Major - September 1999-June 2004 (Bachelor's degree received) Conservatory of Music/ SUNY Purchase - Master of Music Classical Piano - September 2007-December 2010 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Ten Minute Technique - Warming Up Under the Gun

by Josh Dodes

Finding time to practice is difficult for all of us. Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, it can be daunting to keep your chops up. Whether at sound check or the beginning of a session, it’s always important for me to get my hands and ears moving in as little time as possible, and often, only a few minutes are available. That’s why I’ve come up with these exercises for myself, each of which focuses on a different element of my playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine.

  

0210 Play It TMT 1 Pedaling - click for audio . I often end up pedaling on one note with accented chords around it. You can do this in any key, with different accent chords. The important thing is to keep the single-note line as fluid as possible across both hands, even with the chords moving around it.

  

0210 Play It TMT 2 Blues licks - click for audio. I typically start this exercise in F, then move down a half-step at a time to C, then start again at F and take it up by half-steps to C. Different licks feel better in different keys, so I’ll often do variations on these runs as I move around the keyboard.

  

0210 Play It TMT 3 Left hand arpeggios - click for audio. The idea here is to get a fluid, expressive left hand arpeggio moving under an ostinato pattern in the right hand. I’ll usually go up a half-step at a time, periodically altering the right hand phrase in the fourth bar.

  

0210 Play It TMT 4 Pop-ups - click for audio. These kinds of percussive pop-ups are particularly good on funkier songs if you’re playing solo. They bring a little bit of slap bass feel to your left hand. You can play this exercise in any key; the important thing is for the right hand part to feel like it’s being “propelled” by your left thumb.

  

0210 Play It TMT 5 Two-handed percussion - click for audio . This is based on my song “Shakespeare Monkey,” and is a good way to focus on syncopation and rhythmic precision at fast tempos. I’ll usually loop this, moving up a half-step every four bars.

0210 Josh Dodes Thumb New York City keyboardist Josh Dodes has toured and recorded with Marc Cohn, Toby Lightman (shown), and Julian Velard, as well as with his own Josh Dodes Band, featured on VH1’s “Bands on the Run.” He currently writes for thisisyoursong.net , a custom songwriting service he co-founded in 2005.

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