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Ten Minute Technique - Warming Up Under the Gun Columbus GA
Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, finding time to practice is difficult for all of us, here are some exercises, each of which focuses on a different element of playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine.
Betsy Fitzgerald
5243 Riverside Drive No. 2004 Macon, GA 5243 Riverside Drive No. 2004 Macon, GA 31210
Instruments Chorus, Conducting, Ear Training, Early Music, Harp, Music Business, Musicology, Piano, Theory, Voice Styles Classical, Folk - Country - Bluegrass, Jazz, Kids, Other, World Experience Levels Advanced, Beginner, Intermediate Years of Experience 16 Years
Data Provided by: Norman T.
877-231-8505 McGinnis Ferry Road, Suwanee, GA Norman T. 877-231-8505 McGinnis Ferry Road, Suwanee, GA 30024
Subjects Banjo, Bass Guitar, Piano, Saxophone, Flute, Music Theory, Guitar, Classical Guitar, Clarinet Specialties I have used many of the published methods for all of the instruments over the years. I am always open to any approach that will work for any given student. Education Columbus State University - Music Education - 9/1973-6/1977 (Bachelor's degree received) Southwestern Seminary - Pastoral Ministry - 8/1991-12/1994 (Master's degree received) Membership Organizations TakeLessons Music Teacher
Data Provided by: Harold B.
877-231-8505 Shady Maple Lane Loganville, GA Harold B. 877-231-8505 Shady Maple Lane Loganville, GA 30052
Subjects Piano, Music Theory, Music Recording Specialties I first try to connect with the student to determine the level at which the student is on. I also try to determine the pace at which the student learns. If they would need motivation. My method is providing a comfortable gradual way for teaching the piano as well as teaching them to read the notes. I provide them with extensive music practice and ear training. Teach them to play real songs. Education Miami Palmetto High School - Academics - 1993-1998 (not complete) New World School of Arts - Music - 1999-2003 (not complete) Membership Organizations TakeLessons Music Teacher
Data Provided by: Nathan S.
877-231-8505 Ormewood Ave SE Atlanta, GA Nathan S. 877-231-8505 Ormewood Ave SE Atlanta, GA 30316
Subjects Music Theory, Piano, Bass Guitar, Guitar Specialties Can teach classical piano, rock or r&b bass and guitar. I tend to include non-performance aspects in my lessons such as theory and songwriting. Education Florida State University - Piano Performance and Pedagogy - Fall 2000 - Fall 2004 (Bachelor's degree received) North Carolina School of the Arts - Music Composition - Fall 1997 - Fall 1999 (not complete) Membership Organizations TakeLessons Music Teacher
Data Provided by: Jennifer D.
877-231-8505 Durham Road Milner, GA Jennifer D. 877-231-8505 Durham Road Milner, GA 30257
Specialties Classical, pop, church/sacred, Suzuki method, traditional methods, Yamaha keyboard music instruction; I tailor to the student. Education Georgia State University - piano performance - 8/85 - 5/88 (Bachelor's degree received) Georgia Southwestern State University - early childhood education - 9/92 - 8/94 (Master's degree received) Membership Organizations TakeLessons Music Teacher
Data Provided by: Karin B.
877-231-8505 Delowe Dr Atlanta, GA Karin B. 877-231-8505 Delowe Dr Atlanta, GA 30344
Subjects Music Theory, Piano, Singing Specialties My method strongly emphasizes fundamental concepts in theory, technique and history. Over time, students learn common chord progressions leading to fundamental concepts of harmonization, transposition, improvisation and lead sheet reading. Sight-reading as well as fundamental techniques such as scales, arpeggios and other strengthening exercises are important areas of instruction. Moreover, students learn to develop sound practice strategies and techniques emphasizing arm weight, good posture… Education Georgia State University - Music - 2003-2006 (Master's degree received) University of North Texas - Music - 1988-1992 (Bachelor's degree received) Bishop Dunne High School - Diploma - 1983-1988 (High School diploma received) Membership Organizations TakeLessons Music Teacher
Data Provided by: Calista W
113 Lotus Point Dr Macon, GA 113 Lotus Point Dr Macon, GA 31220
Instruments Ear Training, Guitar, Harp, Music Therapy, Piano, Suzuki Method, Theory Styles Classical, Folk - Country - Bluegrass Experience Levels Advanced, Beginner, Intermediate Years of Experience 15 Years
Data Provided by: Lesley D.
877-231-8505 Cherry Valley Drive Covington, GA Lesley D. 877-231-8505 Cherry Valley Drive Covington, GA 30014
Subjects Singing, Guitar, Piano Specialties music, Beginning Guitar, Piano and Voice I teach using basic music theory...all my students learn to read music! Education Cardinal Gibbons - Basic - 80-83 Membership Organizations TakeLessons Music Teacher
Data Provided by: Jessica J.
877-231-8505 westfield drive Mableton, GA Jessica J. 877-231-8505 westfield drive Mableton, GA 30126
Subjects Percussion, Piano, Music Theory Specialties Specializes in teaching children. Beginning and intermediate piano, beginning and intermediate snare drum and percussion Education Georgia College ad Stat Universty - Early Childhood educaion wth a minor in music - 2001-2003 (not complete) Membership Organizations TakeLessons Music Teacher
Data Provided by: Kathryn L.
877-231-8505 Canton Rd. Marietta, GA Kathryn L. 877-231-8505 Canton Rd. Marietta, GA 30066
Subjects Clarinet, Trombone, Piano, Trumpet, Music Theory, French Horn, Tuba Specialties I am a classically trained musician so that is mainly what I teach. I also have experience in jazz and incorporate that into my lessons when I can, especially through improvisation. Education Cut Bank High School (Montana) - Core - 1981-1985 (High School diploma received) Montana State University - Music Education K-12 - 1985-1990 (Bachelor's degree received) University of Florida - Instrumental Conducting - 1990-1992 (Master's degree received) University of Florida - Music Education - 1996-2000 (PhD degree received) Membership Organizations TakeLessons Music Teacher
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by Josh Dodes Finding time to practice is difficult for all of us. Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, it can be daunting to keep your chops up. Whether at sound check or the beginning of a session, it’s always important for me to get my hands and ears moving in as little time as possible, and often, only a few minutes are available. That’s why I’ve come up with these exercises for myself, each of which focuses on a different element of my playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine. Pedaling - click for audio . I often end up pedaling on one note with accented chords around it. You can do this in any key, with different accent chords. The important thing is to keep the single-note line as fluid as possible across both hands, even with the chords moving around it.
Blues licks - click for audio. I typically start this exercise in F, then move down a half-step at a time to C, then start again at F and take it up by half-steps to C. Different licks feel better in different keys, so I’ll often do variations on these runs as I move around the keyboard.
Left hand arpeggios - click for audio. The idea here is to get a fluid, expressive left hand arpeggio moving under an ostinato pattern in the right hand. I’ll usually go up a half-step at a time, periodically altering the right hand phrase in the fourth bar.
Pop-ups - click for audio. These kinds of percussive pop-ups are particularly good on funkier songs if you’re playing solo. They bring a little bit of slap bass feel to your left hand. You can play this exercise in any key; the important thing is for the right hand part to feel like it’s being “propelled” by your left thumb.
Two-handed percussion - click for audio . This is based on my song “Shakespeare Monkey,” and is a good way to focus on syncopation and rhythmic precision at fast tempos. I’ll usually loop this, moving up a half-step every four bars. New York City keyboardist Josh Dodes has toured and recorded with Marc Cohn, Toby Lightman (shown), and Julian Velard, as well as with his own Josh Dodes Band, featured on VH1’s “Bands on the Run.” He currently writes for thisisyoursong.net , a custom songwriting service he co-founded in 2005.
Click here to read the rest of the article from Keyboard Magazine
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