Ten Minute Technique - Warming Up Under the Gun Greenwich CT

Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, finding time to practice is difficult for all of us, here are some exercises, each of which focuses on a different element of playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine.

Janet P.
(877) 231-8505
Hommocks Rd
Larchmont, NY
Subjects
Piano
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5 to 99
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I use many different methods depending on the student's individual needs. However, I do tend to favor the Alfred's piano method because over the years it has been very popular with students,
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Dave L.
(877) 231-8505
Post Road
Bronx, NY
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Music Theory, Trombone, Piano, Singing, Music Performance, Songwriting, Music Recording
Ages Taught
5 to 75
Specialties
Using terminology that gets the message across to each student. Every one of them are different. It may take a while to figure them out but when you do things start to come together.
Education
Manhattan School of Music - Music - 9/94-5/96 (Master's degree received) Manhattan School of Music - Music - 9/88-5/93 (Bachelor's degree received) Laguardia H.S of the Arts - Music - 9/85-6/88 (not complete)
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Fine Arts Academy
(845) 613-7678
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Orangeburg, NY
 
Laurie K.
(877) 231-8505
Pulaski Rd
Greenlawn, NY
Subjects
Violin, Piano
Ages Taught
6 to 55
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I teach a basic reading of notes and the chord method also.
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Lawrence HS - 1974 (High School diploma received) Shorter College - Piano Performance - 1974-79 (Bachelor's degree received)
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Elina Christova
476 Stillson Road
Fairfield, CT
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Ear Training, Piano, Theory
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Classical
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Advanced, Beginner, Intermediate
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$120
Years of Experience
10 Years

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Mike L.
(877) 231-8505
Odell Place
New Rochelle, NY
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Music Theory, Cello, Music Recording, Music Performance, Guitar, Piano
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8 to 99
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Cello - Classical, Improvisational Rock/Metal & Jazz Training/Experience. Piano - Classical, Improvisation. Guitar - Rock/Metal, Improvisation.
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Manhattanville College - Music/Psychology - 2005-2009 (Bachelor's degree received)
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Igor Sherbakov
5632 Post Rd
Bronx, NY
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Horn, Piano
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Classical
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Beginner, Intermediate
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$50
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19 Years

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Shauna Park
401 11th Street
Cresskill, NJ
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Composition, Ear Training, Other, Piano, Theory, Voice
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Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
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Advanced, Beginner, Intermediate
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$65
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10 Years

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Clementa Cazan German
641 Lowell Street
Westbury, NY
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Other, Piano
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Classical, Kids, Other
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Advanced, Beginner, Intermediate
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$75
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25 Years

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Julie H.
(877) 231-8505
College Street
New Haven, CT
Subjects
Music Performance, Piano, Songwriting, Theatrical Broadway Singing, Singing, Music Theory
Ages Taught
5 to 99
Specialties
Julie specializes in teaching musical theatre, classical, pop/ rock jazz/ blues, and improvisation styles of voice. Her style of piano pedagogy is a combination of classical study and whatever popular style the student is interested in. In addition, she tutors in jazz and classical music theory/ analysis, and she can help students prepare for AP Music Theory exams. As a composer, she enjoys helping songwriters mold their style, and she works a lot with songwriters within the indie/ pop/ rock/…
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Berklee College of Music - Classical Composition - 09/2009-05/2010
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Ten Minute Technique - Warming Up Under the Gun

by Josh Dodes

Finding time to practice is difficult for all of us. Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, it can be daunting to keep your chops up. Whether at sound check or the beginning of a session, it’s always important for me to get my hands and ears moving in as little time as possible, and often, only a few minutes are available. That’s why I’ve come up with these exercises for myself, each of which focuses on a different element of my playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine.

  

0210 Play It TMT 1 Pedaling - click for audio . I often end up pedaling on one note with accented chords around it. You can do this in any key, with different accent chords. The important thing is to keep the single-note line as fluid as possible across both hands, even with the chords moving around it.

  

0210 Play It TMT 2 Blues licks - click for audio. I typically start this exercise in F, then move down a half-step at a time to C, then start again at F and take it up by half-steps to C. Different licks feel better in different keys, so I’ll often do variations on these runs as I move around the keyboard.

  

0210 Play It TMT 3 Left hand arpeggios - click for audio. The idea here is to get a fluid, expressive left hand arpeggio moving under an ostinato pattern in the right hand. I’ll usually go up a half-step at a time, periodically altering the right hand phrase in the fourth bar.

  

0210 Play It TMT 4 Pop-ups - click for audio. These kinds of percussive pop-ups are particularly good on funkier songs if you’re playing solo. They bring a little bit of slap bass feel to your left hand. You can play this exercise in any key; the important thing is for the right hand part to feel like it’s being “propelled” by your left thumb.

  

0210 Play It TMT 5 Two-handed percussion - click for audio . This is based on my song “Shakespeare Monkey,” and is a good way to focus on syncopation and rhythmic precision at fast tempos. I’ll usually loop this, moving up a half-step every four bars.

0210 Josh Dodes Thumb New York City keyboardist Josh Dodes has toured and recorded with Marc Cohn, Toby Lightman (shown), and Julian Velard, as well as with his own Josh Dodes Band, featured on VH1’s “Bands on the Run.” He currently writes for thisisyoursong.net , a custom songwriting service he co-founded in 2005.

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