Ten Minute Technique - Warming Up Under the Gun Jersey City NJ

Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, finding time to practice is difficult for all of us, here are some exercises, each of which focuses on a different element of playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine.

Craig Woodward
35 Rock Street, #24
Jersey City, NJ
Instruments
Composition, Conducting, Ear Training, Piano, Suzuki Method, Theory
Styles
Classical, Jazz, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
15 Years

Data Provided by:
Ian S.
(877) 231-8505
Wayne Street,
Jersey City, NJ
Subjects
Songwriting, Bass Guitar, Piano, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in pop, rock, folk, and jazz, as well as beginner classical piano. I also teach improvisation and songwriting, and try to develop the student's ear for figuring out songs they like on their own.
Education
Rutgers University - Chinese / Economics - 1994-1998 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Laura Dreyer
(212) 643-0869
New York, NY
Instruments
Clarinet, Composition, Ear Training, Flute, Piano, Saxophone, Theory
Styles
Classical, Jazz, Kids, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$100
Years of Experience
25 Years

Data Provided by:
Kathryn Z.
(877) 231-8505
W. 31st Street
New York, NY
Subjects
Singing, Guitar, Piano
Ages Taught
4 to 99
Specialties
all-levels voice, beginning guitar, beginning piano I specialize in a classical voice method, which I believe is a good foundation for all styles of singing. I have experience with classical singing, music theatre (I have a minor from my undergraduate education in Theatre) and folk. I'm an experienced songwriter and am able to guide students in that area. I teach notes and chords for my guitar students. I don't teach guitar tablature; instead, I teach basic guitar music on the staff. Also, I …
Education
Litchfield High School - general - graduated 1994 University of Nebraska - BFA--Music (Vocal Performance) - graduated 1998 Cleveland Institute of Music - Master of Music (Voice) - graduated 2000
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Natalia H.
(877) 231-8505
E.35th Street
New York, NY
Subjects
Piano, Music Theory
Ages Taught
4 to 99
Specialties
music, music theory, piano Although I was classically trained, I do not limit my students to Classical music. I encourage all genres of music.
Education
Manhattan School of Music - Piano Performance - 2000-2004 Los Altos High School - - 1996-2000
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Renata O.
(877) 231-8505
Jersey Ave.
Jersey City, NJ
Subjects
Violin, Music Performance, Piano
Ages Taught
5 to 99
Specialties
traditional classical, suzuki, fiddle
Education
Bradley University - Music (violin) - 2000-2004 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Amy R.
(877) 231-8505
Garden St.
Hoboken, NJ
Subjects
Music Theory, Guitar, Music Performance, Piano, Songwriting, Singing
Ages Taught
5 to 99
Specialties
I specialize in pop, folk, and rock, but also have extensive training in classical and jazz, and can incorporate any of these genres into your lessons.
Education
Skidmore College - Music - 9/2003-12/2006 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Joshua K.
(877) 231-8505
W 4th St
New York, NY
Subjects
Piano, Flute, Clarinet, Music Performance, Saxophone, Music Theory, Songwriting
Ages Taught
5 to 99
Specialties
Jazz, classical, R+B, blues, virtually any genre (as I've performed them all) Highly studied and accomplished in music theory, composition, and orchestration, ear training and arranging
Education
New School for Jazz and Contemporary Music - Jazz Performance - 9/06-5/10 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Natalia Huang
Murray Hill
New York, NY
Instruments
Piano
Styles
Classical, Kids
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
12 Years

Data Provided by:
Tania Stavreva
Midtown West
New York, NY
Instruments
Ear Training, Other, Piano, Theory
Styles
Blues, Classical, Jazz, Kids, Other, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
9 Years

Data Provided by:
Data Provided by:

Ten Minute Technique - Warming Up Under the Gun

by Josh Dodes

Finding time to practice is difficult for all of us. Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, it can be daunting to keep your chops up. Whether at sound check or the beginning of a session, it’s always important for me to get my hands and ears moving in as little time as possible, and often, only a few minutes are available. That’s why I’ve come up with these exercises for myself, each of which focuses on a different element of my playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine.

  

0210 Play It TMT 1 Pedaling - click for audio . I often end up pedaling on one note with accented chords around it. You can do this in any key, with different accent chords. The important thing is to keep the single-note line as fluid as possible across both hands, even with the chords moving around it.

  

0210 Play It TMT 2 Blues licks - click for audio. I typically start this exercise in F, then move down a half-step at a time to C, then start again at F and take it up by half-steps to C. Different licks feel better in different keys, so I’ll often do variations on these runs as I move around the keyboard.

  

0210 Play It TMT 3 Left hand arpeggios - click for audio. The idea here is to get a fluid, expressive left hand arpeggio moving under an ostinato pattern in the right hand. I’ll usually go up a half-step at a time, periodically altering the right hand phrase in the fourth bar.

  

0210 Play It TMT 4 Pop-ups - click for audio. These kinds of percussive pop-ups are particularly good on funkier songs if you’re playing solo. They bring a little bit of slap bass feel to your left hand. You can play this exercise in any key; the important thing is for the right hand part to feel like it’s being “propelled” by your left thumb.

  

0210 Play It TMT 5 Two-handed percussion - click for audio . This is based on my song “Shakespeare Monkey,” and is a good way to focus on syncopation and rhythmic precision at fast tempos. I’ll usually loop this, moving up a half-step every four bars.

0210 Josh Dodes Thumb New York City keyboardist Josh Dodes has toured and recorded with Marc Cohn, Toby Lightman (shown), and Julian Velard, as well as with his own Josh Dodes Band, featured on VH1’s “Bands on the Run.” He currently writes for thisisyoursong.net , a custom songwriting service he co-founded in 2005.

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