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Ten Minute Technique - Warming Up Under the Gun Woonsocket RI
Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, finding time to practice is difficult for all of us, here are some exercises, each of which focuses on a different element of playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine.
Justin A.
877-231-8505 Quinn St North Attleboro, MA Justin A. 877-231-8505 Quinn St North Attleboro, MA 02760
Subjects Music Theory, Percussion, Piano, Music Performance, Drums Specialties I pride myself in being well trained in all styles of music. In attaining each of my degrees, I have put an emphasis on being versatile and well-rounded. For drum set, I like to use method books such as: Stick Control, Syncopation and Future Sounds. Education Univeristy of Massachusetts Amherst - Music - 2003-2006 (Bachelor's degree received) Holyoke Community College - Arts with a concentration in Music - 2001-2003 (Associate degree received) Membership Organizations TakeLessons Music Teacher
Data Provided by: Kenya C.
877-231-8505 Brown St Hope, RI Kenya C. 877-231-8505 Brown St Hope, RI 02831
Subjects Violin, Music Theory, Piano Specialties baroque, classical, romantic periods, 20th century, contemporary music, ragtime and blues Membership Organizations TakeLessons Music Teacher
Data Provided by: Stan Munslow
15 Hancock Drive Coventry, RI 15 Hancock Drive Coventry, RI 02816
Instruments Composition, Ear Training, Electric Bass, Guitar, Music Business, Other, Piano, Theory Styles Blues, Classical, Jazz, Kids, Other, Rock - Alternative Experience Levels Advanced, Beginner, Intermediate Years of Experience 26 Years
Data Provided by: Dan Peppin School of Rock
(401) 597-5088 111 Main St Woonsocket, RI American Music Lessons
(401) 727-0229 62 Exchange St Pawtucket, RI Kyle B.
877-231-8505 Regal Road Milford, MA Kyle B. 877-231-8505 Regal Road Milford, MA 01757
Subjects Music Performance, Piano, Music Theory, Organ Specialties I teach beginning piano students using the Schaum Piano Method Books. The primary genre of music that I teach is classical. Education Milford High School - - 2000-2004 (not complete) University of Massachusetts, Lowell - Music Education - 2004-2009 (Bachelor's degree received) University of Massachusetts, Lowell - Organ Performance - 2004-2009 (Bachelor's degree received) University of Massachusetts, Lowell - Music Education - 2009-present (not complete) Membership Organizations TakeLessons Music Teacher
Data Provided by: Sarah Gardner
165 Nahatan Street 165 Nahatan Street Norwood, MA 165 Nahatan Street 165 Nahatan Street Norwood, MA 02062
Instruments Other, Piano, Voice Styles Blues, Folk - Country - Bluegrass, Kids, Rock - Alternative Experience Levels Advanced, Beginner, Intermediate Years of Experience 12 Years
Data Provided by: Ri Musician Institute
(401) 597-0880 111 Main St Woonsocket, RI Drew's Al Music Center
(401) 769-3552 526 Front St Woonsocket, RI Kindermusik of Aquidneck Island
(401) 683-4483 Portsmouth, RI
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by Josh Dodes Finding time to practice is difficult for all of us. Whether you’re on the road, running from one gig to the next, or dealing with distractions at home, it can be daunting to keep your chops up. Whether at sound check or the beginning of a session, it’s always important for me to get my hands and ears moving in as little time as possible, and often, only a few minutes are available. That’s why I’ve come up with these exercises for myself, each of which focuses on a different element of my playing, depending on what kind of gig it is. Try the ones I’ve outlined here, then make up your own to incorporate your favorite licks and runs in your daily warm-up routine. Pedaling - click for audio . I often end up pedaling on one note with accented chords around it. You can do this in any key, with different accent chords. The important thing is to keep the single-note line as fluid as possible across both hands, even with the chords moving around it.
Blues licks - click for audio. I typically start this exercise in F, then move down a half-step at a time to C, then start again at F and take it up by half-steps to C. Different licks feel better in different keys, so I’ll often do variations on these runs as I move around the keyboard.
Left hand arpeggios - click for audio. The idea here is to get a fluid, expressive left hand arpeggio moving under an ostinato pattern in the right hand. I’ll usually go up a half-step at a time, periodically altering the right hand phrase in the fourth bar.
Pop-ups - click for audio. These kinds of percussive pop-ups are particularly good on funkier songs if you’re playing solo. They bring a little bit of slap bass feel to your left hand. You can play this exercise in any key; the important thing is for the right hand part to feel like it’s being “propelled” by your left thumb.
Two-handed percussion - click for audio . This is based on my song “Shakespeare Monkey,” and is a good way to focus on syncopation and rhythmic precision at fast tempos. I’ll usually loop this, moving up a half-step every four bars. New York City keyboardist Josh Dodes has toured and recorded with Marc Cohn, Toby Lightman (shown), and Julian Velard, as well as with his own Josh Dodes Band, featured on VH1’s “Bands on the Run.” He currently writes for thisisyoursong.net , a custom songwriting service he co-founded in 2005.
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