Velocity Abilene TX

The loudness of the note depends on how hard you strike the key. But even in the piano, quite a lot of technology (in the form of carefully balanced levers) goes into producing that effect.

Paula N.
(877) 231-8505
Glenfield Ct
Houston, TX
Subjects
Music Theory, Singing, Piano
Ages Taught
4 to 99
Specialties
I am a classically trained musician, so I feel that in order for students to be successful in any type of singing or playing style they should have some basic classical training. I enjoy teaching children's music, contemporary Christian music, and pop.
Education
McLennan Community College - Music - Vocal & Piano - August 2004-May 2007 (Associate degree received) Houston Baptist University - Music & Political Science - September 2007 - May 2009 (Bachelor's degree received)
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TakeLessons Music Teacher

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Joanne Marie’s School of Piano
Canyon Lake, TX
 
Rob B.
(877) 231-8505
Metric Blvd.
Austin, TX
Subjects
Saxophone, Guitar, Banjo, Classical Guitar, Piano, Songwriting, Flamenco Guitar, Bass Guitar
Ages Taught
5 to 99
Specialties
I'm best at teaching students music that they want to learn. I specialize in rock and blues instruction. Don't own a banjo (learned on my daddy's), but am happy to pick one up if someone's interested (though they will probably need to provide one, don't know if I can buy two at the moment).
Education
Lubbock High School - N/A - 8/92-5/95 Texas Tech University - English-major Music-minor - 1/00-8/03 Goddard College - Creative Writing - 7/07-5/09
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TakeLessons Music Teacher

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Kal M.
(877) 231-8505
Paisley Street
Houston, TX
Subjects
Cello, Piano
Ages Taught
5 to 75
Specialties
Alfred, Bastien, Suzuki, Thompson Classical
Education
Univ of Vermont - Music Theory & Comp - 1982-1986 (Bachelor's degree received)
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TakeLessons Music Teacher

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Karen G.
(877) 231-8505
Sherwood. Dr.
Arlington, TX
Subjects
Piano
Ages Taught
4 to 99
Specialties
Classical, Praise Music, Pop/Rock, Some Blues and Jazz. I teach both how to play by ear and how to read sheet music.
Education
Texas Wesleyan University - Music - Aug. 2005-Aug.2009 (Bachelor's degree received)
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TakeLessons Music Teacher

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gfire m.
(877) 231-8505
st and Manor Road
Austin, TX
Subjects
Singing, Theatrical Broadway Singing, Piano, Music Recording, Songwriting, Music Theory, Music Performance, Speaking Voice, Opera Voice
Ages Taught
5 to 99
Specialties
music, singing, piano, songwriting, DJ'ing, yoga I have developed Yoga for the Voice - a combination of my 18 years of studying and receiving certification in the Science of Singing (as taught by Ernest George White of London, England) and my 10 years experience and certification in yoga, specifically ancient yoga breathing techniques. I will work with voice students as young as 7 and as old as they want to go! Voice lessons span all styles and all levels - pop, rock, r 'n' b, country, folk, …
Education
Univ. of MD - music - voice & piano - 1986-1990 Kennedy H.S. - college prep - 1983-1986
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TakeLessons Music Teacher

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Susanna S.
(877) 231-8505
A Jane Austen Trail
Pflugerville, TX
Subjects
Singing, Music Performance, Music Theory, Theatrical Broadway Singing, Acting, Opera Voice, Piano
Ages Taught
5 to 99
Specialties
classical, pop, r&b
Education
C.E. Ellison HS - - 96-97 (High School diploma received) Berklee Collage of Music - voice - 98-99 (not complete) UT Austin - piano - 2000-03 (Bachelor's degree received)
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TakeLessons Music Teacher

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Maestro J. Rand Certain
825 Bellflower Dr. Certain Music
Plano, TX
Instruments
Composition, Conducting, Ear Training, Musicology, Piano, Theory, Violin
Styles
Classical
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
40 Years

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Danaila H.
(877) 231-8505
Bing Dr.
Fort Worth, TX
Subjects
Singing, Organ, Music Theory, Opera Voice, Piano
Ages Taught
5 to 70
Specialties
Preferably Classical Music, Opera, Operetta (Music Theatre) and Broadway. I use different methods depending of students age, goals, and intensity of work.
Education
AMTI (Academy Superior of Music and Arts), Plovdiv (Bulgaria) - Music Pedagogy (Piano, Voice, Theory, Choir Conducting) - 1990-1994 (Bachelor's degree received) AMTI, Plovdiv (Bulgaria) - Voice Pedagogy - 1994-1996 (Master's degree received) TCU - MM in Conducting - 2007-2009 (Master's degree received)
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TakeLessons Music Teacher

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Musik Majik, LLC
Lewisville, TX
 
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Velocity

If you’ve ever played a piano, the process seems perfectly natural: The loudness of the note depends on how hard you strike the key. But even in the piano, quite a lot of technology (in the form of carefully balanced levers) goes into producing that effect. Other keyboards, such as organs and the first generation of synthesizers, don’t respond in that way. Play lightly, play hard — it makes no difference.

Just about all synthesizer keyboards today respond the way a piano does. There will be subtle differences, but the speed with which the key travels downward is sensed by a mechanism of some sort, and the information coming from the sensor is used to affect the sound of the synth.

The speed of the key as it descends toward the keybed is called its velocity. Each key has its own velocity sensor. And because just about all keyboards transmit MIDI, the velocity data is always encoded in the form dictated by MIDI. MIDI defines messages called note-on and note-off, and each note-on message includes velocity. (Note-off velocity — the speed with which the key is allowed to rise at the end of the note — is also defined by the MIDI Specification, but it’s rarely used.)

Because the velocity is embedded in the note-on event, the velocity of a note can’t change while the note is sounding. The value transmitted by the velocity sensor remains the same from the start of a given note to its end. Manufacturers of consumer keyboards sometimes blur this distinction by referring to velocity as “pressure.” MIDI defines a separate type of data called pressure, or aftertouch. When a keyboard senses pressure (not all of them do), you can send a control signal by pressing down harder after the key has reached the keybed. But that control signal has nothing to do with velocity.

MIDI defines velocity as a data type that can have values ranging from 1 to 127. A velocity of 1 is extremely slow (produced by very light playing), and 127 is extremely fast (produced by very hard playing).

USING VELOCITY TO CONTROL SOUND

The most common use of velocity is to control the loudness of the notes. As on a piano, when you play harder, the notes will be louder. On a synthesizer, this is accomplished by using velocity to modulate the amplitude of the audio signal. If you roll up your sleeves and do a little voice programming, you’ll probably find a parameter called VEL or Velocity in the Amplifier, AMP, or VCA area of your synth. If you turn this parameter down to zero, the velocity-to-loudness effect should go away: All notes should be equally loud.

If you listen closely to a piano, you’ll hear that the louder notes also have more sound energy in the upper frequency range. In other words, they’re not only louder, they’re also brighter. This effect is modelled in most synthesizers. If your synth has analog-type lowpass filters, you’ll find a parameter with which you can control velocity modulation of the filter cutoff frequency. When the velocity value is higher, the filter cuto...

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