Velocity Worcester MA

The loudness of the note depends on how hard you strike the key. But even in the piano, quite a lot of technology (in the form of carefully balanced levers) goes into producing that effect.

Kathleen N.
(877) 231-8505
Uxbridge St
Worcester, MA
Subjects
Trombone, Theatrical Broadway Singing, Music Theory, French Horn, Music Performance, Piano, Trumpet
Ages Taught
5 to 99
Specialties
A Performers Path To Sound And Healing Composers throughout time have sought for and attempted ascension upon Sound’s invisible wings. For me this sacred connection was remembered at the age of 5 on a Christmas morning when a toy trumpet sat calling to me from under the tree. I remember the tears of joy and recognition welling up from some deep and sacred place inside of me. Now, it is comical and precious to consider my parents’ bewilderment at this unexpected response to a plastic trumpet i…
Education
Ithaca College - Music Ed ,Applied Music - 1971-1975 (Bachelor's degree received) Yale Univ - performance and conducting - 1976-77 (not complete)
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TakeLessons Music Teacher

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Jean B.
(877) 231-8505
Waterford Dr
Worcester, MA
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Piano
Ages Taught
5 to 99
Specialties
Pop, Classical, Alfred, Thompson, Fletcher
Education
Bradford College - Creative Arts - 1979-1983 (Bachelor's degree received) University of Phoenix - E Commerce - 2003-2005 (Master's degree received)
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TakeLessons Music Teacher

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Karen DeBiasse
45 Franklin Street None
Somerville, MA
Instruments
Drums, Guitar, Piano, Voice
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$70
Years of Experience
28 Years

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Ming-Hui L.
(877) 231-8505
Park Vale Ave,
Allston, MA
Subjects
Cello, Piano
Ages Taught
3 to 60
Specialties
music, Cello, Piano
Education
Stella Matutina Girls' High school in Taiwan - - -1999 Taipei National University of the Arts - Music - -2003 Peabody of Johns Hopkins University - Music - -2005 Boston University - Music - current
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TakeLessons Music Teacher

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Kyle B.
(877) 231-8505
Faulkner Street
Ayer, MA
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Piano, Music Theory, Organ, Music Performance
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1 to 99
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I teach beginning piano students using the Schaum Piano Method Books. The primary genre of music that I teach is classical.
Education
Milford High School - - 2000-2004 (not complete) University of Massachusetts, Lowell - Music Education - 2004-2009 (Bachelor's degree received) University of Massachusetts, Lowell - Organ Performance - 2004-2009 (Bachelor's degree received) University of Massachusetts, Lowell - Music Education - 2009-present (not complete)
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TakeLessons Music Teacher

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Jean B.
(877) 231-8505
Main St
Worcester, MA
Subjects
Piano
Ages Taught
5 to 99
Specialties
Pop, Classical, Alfred, Thompson, Fletcher
Education
Bradford College - Creative Arts - 1979-1983 (Bachelor's degree received) University of Phoenix - E Commerce - 2003-2005 (Master's degree received)
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TakeLessons Music Teacher

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Kyle B.
(877) 231-8505
Regal Road
Milford, MA
Subjects
Music Performance, Piano, Music Theory, Organ
Ages Taught
1 to 99
Specialties
I teach beginning piano students using the Schaum Piano Method Books. The primary genre of music that I teach is classical.
Education
Milford High School - - 2000-2004 (not complete) University of Massachusetts, Lowell - Music Education - 2004-2009 (Bachelor's degree received) University of Massachusetts, Lowell - Organ Performance - 2004-2009 (Bachelor's degree received) University of Massachusetts, Lowell - Music Education - 2009-present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jean B.
(877) 231-8505
Main St
Worcester, MA
Subjects
Piano
Ages Taught
5 to 99
Specialties
Pop, Classical, Alfred, Thompson, Fletcher
Education
Bradford College - Creative Arts - 1979-1983 (Bachelor's degree received) University of Phoenix - E Commerce - 2003-2005 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Kathleen N.
(877) 231-8505
Uxbridge St
Worcester, MA
Subjects
Trombone, Theatrical Broadway Singing, Music Theory, French Horn, Music Performance, Piano, Trumpet
Ages Taught
5 to 99
Specialties
A Performers Path To Sound And Healing Composers throughout time have sought for and attempted ascension upon Sound’s invisible wings. For me this sacred connection was remembered at the age of 5 on a Christmas morning when a toy trumpet sat calling to me from under the tree. I remember the tears of joy and recognition welling up from some deep and sacred place inside of me. Now, it is comical and precious to consider my parents’ bewilderment at this unexpected response to a plastic trumpet i…
Education
Ithaca College - Music Ed ,Applied Music - 1971-1975 (Bachelor's degree received) Yale Univ - performance and conducting - 1976-77 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Sarah Gardner
165 Nahatan Street 165 Nahatan Street
Norwood, MA
Instruments
Other, Piano, Voice
Styles
Blues, Folk - Country - Bluegrass, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$80
Years of Experience
12 Years

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Velocity

If you’ve ever played a piano, the process seems perfectly natural: The loudness of the note depends on how hard you strike the key. But even in the piano, quite a lot of technology (in the form of carefully balanced levers) goes into producing that effect. Other keyboards, such as organs and the first generation of synthesizers, don’t respond in that way. Play lightly, play hard — it makes no difference.

Just about all synthesizer keyboards today respond the way a piano does. There will be subtle differences, but the speed with which the key travels downward is sensed by a mechanism of some sort, and the information coming from the sensor is used to affect the sound of the synth.

The speed of the key as it descends toward the keybed is called its velocity. Each key has its own velocity sensor. And because just about all keyboards transmit MIDI, the velocity data is always encoded in the form dictated by MIDI. MIDI defines messages called note-on and note-off, and each note-on message includes velocity. (Note-off velocity — the speed with which the key is allowed to rise at the end of the note — is also defined by the MIDI Specification, but it’s rarely used.)

Because the velocity is embedded in the note-on event, the velocity of a note can’t change while the note is sounding. The value transmitted by the velocity sensor remains the same from the start of a given note to its end. Manufacturers of consumer keyboards sometimes blur this distinction by referring to velocity as “pressure.” MIDI defines a separate type of data called pressure, or aftertouch. When a keyboard senses pressure (not all of them do), you can send a control signal by pressing down harder after the key has reached the keybed. But that control signal has nothing to do with velocity.

MIDI defines velocity as a data type that can have values ranging from 1 to 127. A velocity of 1 is extremely slow (produced by very light playing), and 127 is extremely fast (produced by very hard playing).

USING VELOCITY TO CONTROL SOUND

The most common use of velocity is to control the loudness of the notes. As on a piano, when you play harder, the notes will be louder. On a synthesizer, this is accomplished by using velocity to modulate the amplitude of the audio signal. If you roll up your sleeves and do a little voice programming, you’ll probably find a parameter called VEL or Velocity in the Amplifier, AMP, or VCA area of your synth. If you turn this parameter down to zero, the velocity-to-loudness effect should go away: All notes should be equally loud.

If you listen closely to a piano, you’ll hear that the louder notes also have more sound energy in the upper frequency range. In other words, they’re not only louder, they’re also brighter. This effect is modelled in most synthesizers. If your synth has analog-type lowpass filters, you’ll find a parameter with which you can control velocity modulation of the filter cutoff frequency. When the velocity value is higher, the filter cuto...

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